Back The Wall Save as PDF
Chapters (34)
  1. Cover
  2. Title Page
  3. Dedication
  4. Prologue
  5. 1. The Banyan Tree
  6. 2. Ramani’s Story
  7. 3. Putti’s Story
  8. 4. Putti and Gowra
  9. 5. Annaiah Returns
  10. 6. Chikthayi’s Story Continues
  11. 7. Gangi’s Story
  12. 8. Gangi’s Story Continues
  13. 9. Gangi and the Wall
  14. 10. Mayisa’s Story
  15. 11. Annaiah and the Wooden Ramani
  16. 12. Thimmakka’s Story
  17. 13. Thimmakka’s Marriage
  18. 14. The Birth of Parvati
  19. 15. The Attack on Bangari
  20. 16. Ramani’s Story Continues
  21. 17. Yellamma’s Story
  22. 18. Kamadeva’s People
  23. 19. Rajegowda Dies
  24. 20. Kamadeva’s Story
  25. 21. Preparation for the Habba
  26. 22. Annaiah’s Penance
  27. 23. Sundru’s Story
  28. 24. The Revenge Begins
  29. 25. Ooramma Speaks
  30. Epilogue
  31. Note on The Wall
  32. Acknowledgements
  33. About the Book
  34. About the Author

Then she hears high-pitched voices singing songs in an alien language, not unlike the one Annaiah uses while telling his stories. It sounds like that, at any rate. Who is singing it? What mystery is this? If it has anything to do with Annaiah and his powers, she needs to know.

Thimmakka climbs the banyan tree and looks down at the other side. The garden she saw during her last visit is not there. Instead, several small fires are lit all over, making the place look like Ooramma’s jathre. In front of each fire, a woman is seated, bejewelled and glittering in the glorious moonlight, looking like reflections of Thimmakka herself that night. Unlike Thimmakka’s mallige-braided hair, however, these women have left their hair unbound. In the light of the fires, Thimmakka can see that they have red staring eyes, twice the size of her own. Annaiah’s kolli devvas!

They are cooking, alternately wailing and laughing. The scene sends chills up and down Thimmakka’s spine. The women are using their legs as firewood. She feels shudders down her own legs, which seem to have developed a restlessness all of their own. Her eyes are drawn to a figure moving among the fires.

She focuses, sitting still. A man with velvet-like dark skin and a flowing beard, his rippling muscles reflecting the fires around, is putting garlands on the women. The flowers look and smell like the fragrant ones in Parvati’s garland, making her feel dizzy.

The garlands glow red-gold-white. Every woman writhes as soon as it is put on her, as if in severe pain. Each bursts into flame and ends as a pile of black-grey ash. Thimmakka feels goosebumps rising all over. What is this? And what is she doing here?

Suddenly, she notices the woman closest to her, who seems to be saying something directly to her. Terrified, Thimmakka realizes that the woman looks like Chenni, except that her eyes are red and large. Even as Thimmakka looks at her, stricken and stunned, trying to tell her she didn’t mean to kill her, the man comes to the Chenni lookalike. He puts the vivid garland around her. The woman collapses. Thimmakka is trembling as the man slowly turns to look at her. She already knows that it is Annaiah.

‘Is that … is that Chenni?’ Thimmakka asks him in a shaking voice.

Annaiah grimaces as if in pain and doesn’t answer. Instead he says: ‘That heap over there is Gangi. That is Chikthayi. This is Putti.’ He gives a strange strangled laugh. ‘Do you also want to join them, Thimmakka?’

She looks at him.