Cover

More Praise for Han Kang’s

The Vegetarian

“A horror story in its depiction of the unknowability of others—of the sudden feeling that you’ve never actually known someone close to you….Its three-part structure is brilliant, gradually digging deeper and deeper into darker and darker places; the writing is spare and haunting; but perhaps most memorable is its crushing climax, a phantasmagoric yet emotionally true moment that’s surely one of the year’s most powerful. This is an ingenious, upsetting, and unforgettable novel.”

—Publishers Weekly (starred review)

“The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is. An unusual and mesmerizing novel, gracefully written and deeply disturbing.”

—Kirkus Reviews

“Like a small seed, Han Kang’s startling and unforgettable debut goes to work quietly, but insistently. Her prose is so balanced, so elegant and assured, you might overlook the depths of this novel’s darkness—do so at your own peril.”

—Colin Winnette, author of Haints Stay and Coyote

“A stunning and beautifully haunting novel. It seems in places as if the very words on the page are photosynthesizing. I loved this graceful, vivid book.”

—Jess Richards, Costa First Novel Award short-listed author of Snake Ropes

“Poetic and beguiling, and translated with tremendous elegance, The Vegetarian exhilarates and disturbs.”

—Chloe Aridjis, author of The Book of Clouds

“Dark dreams, simmering tensions, chilling violence…This South Korean novel is a feast…It is sensual, provocative, and violent, ripe with potent images, startling colors, and disturbing questions…Sentence by sentence, The Vegetarian is an extraordinary experience…[It] will be hard to beat.”

—The Guardian

“This is an odd and enthralling novel; its story filled with nihilism but lyricism too, its writing understated even in its most fevered, violent moments. It has a surreal and spellbinding quality, especially in its passage on nature and the physical landscape, so beautiful and so magnificently impervious to the human suffering around it.”

—Arifa Akbar, The Independent

“This short novel is one of the most startling I have read…Exciting and imaginative…The author reveals how nature, sex, and art crash through this polite society…It is the women who are killed for daring to establish their own identity. The narrative makes it clear it is the crushing pressure of Korean etiquette which murders them…[A] disturbing book.”

—Julia Pascal, The Independent