Contents ( 57)
- Anthony Horowitz
- About the Author
- 1
- Separate Ways
- 2
- Mindgame
- 3
- First Night
- 4
- The First Review
- 5
- Daggers Drawn
- 6
- One Phone Call
- 7
- The Custody Clock
- 8
- Palgrove Gardens
- 9
- Seven Suspects
- 10
- Dressing Room 5
- 11
- Star Quality
- 12
- Another Knife
- 13
- A Run of Bad Luck
- 14
- Premonitions
- 15
- Clerkenwell at Night
- 16
- Frost and Longhurst
- 17
- Extract from Bad Boys by Harriet Throsby
- 18
- Moxham Hall
- 19
- Long Shadows
- 20
- Past Crimes
- 21
- The Jai Mahal
- 22
- Safe House
- 23
- Nothing Personal
- 24
- Back to the Vaudeville
- 25
- Final Act
- 26
- The Dotted Line
- Acknowledgements
- THIS IS JUST THE BEGINNING
- Footnote
‘She starts her reviews before the play’s finished,’ Ewan explained. ‘She’s famous for it. She writes about the first half during the interval and does the rest on her way home.’
‘She lives in the back end of Paddington,’ Sky said. ‘She’s got a place near the canal. She probably finished it in the back of a taxi.’
‘But why has she posted it?’ I went on. ‘Couldn’t she wait until Sunday?’
‘She must have wanted to get ahead of the pack.’ Sky hastily turned off her phone and slid it into her pocket. ‘I’m sorry. I wish I hadn’t opened it now.’
Ahmet was sitting with his shoulders slumped, his face darker than ever. His hair was still wet from the rain and stuck to his skull like paint. He snatched up his cigarettes and lit one, then threw the packet down. ‘What this woman says is all lies,’ he announced. ‘In Bath, in Reading, in Windsor, people liked the play. I was there! I saw them. What she writes here … this is shit.’
‘She’s disgusting,’ Maureen said quietly.
Tirian hadn’t spoken for a while. He seemed to have shrunk inside his expensive clothes, as if he – rather than they – had just come out of the washing machine, and right then he looked a bit like a teenager, sullen and scrawny, biting his lower lip as if he’d been told off for talking in class. ‘Sod her!’ he said. ‘I’m going home. I’ve had enough to drink anyway.’ He collected his few belongings, snatched up his backpack and hurried out of the room.
We all wanted to leave, but to end the party immediately would be to admit that we’d been defeated by Harriet Throsby’s review, proving her power over us. So the six of us who were left talked for a few more minutes and drank some more vodka and whisky. But our hearts weren’t in it. Sky was the next to go. It may have been that she was more miserable than any of us – but then she was the one who had spoiled the evening by showing us the review. I followed her.
I couldn’t wait to get out. I wanted to go home, to put the Vaudeville behind me, to forget the play had happened. I knew I was being childish. It was only a bad review. But there isn’t a writer in the world who hasn’t felt that sense of anger, shame, resentfulness and sheer misery that comes when a critic lets loose. It’s just that some of us hide it better than others.
The rain had eased off, but I was still damp and shivering by the time I got back to my flat in Clerkenwell. It was one o’clock in the morning and I was worn out. I went to bed in the spare room and fell asleep almost immediately. Not surprisingly, I dreamed of Harriet Throsby. Once again, I saw those horn-rimmed glasses she’d been wearing and heard the brittle edge to her voice. Jordan Williams was also there, stabbing the cake, and I heard him too: ‘Someone should put a knife in her!’ That was when I woke up.