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Contents ( 57)
  1. Anthony Horowitz
  2. About the Author
  3. 1
  4. Separate Ways
  5. 2
  6. Mindgame
  7. 3
  8. First Night
  9. 4
  10. The First Review
  11. 5
  12. Daggers Drawn
  13. 6
  14. One Phone Call
  15. 7
  16. The Custody Clock
  17. 8
  18. Palgrove Gardens
  19. 9
  20. Seven Suspects
  21. 10
  22. Dressing Room 5
  23. 11
  24. Star Quality
  25. 12
  26. Another Knife
  27. 13
  28. A Run of Bad Luck
  29. 14
  30. Premonitions
  31. 15
  32. Clerkenwell at Night
  33. 16
  34. Frost and Longhurst
  35. 17
  36. Extract from Bad Boys by Harriet Throsby
  37. 18
  38. Moxham Hall
  39. 19
  40. Long Shadows
  41. 20
  42. Past Crimes
  43. 21
  44. The Jai Mahal
  45. 22
  46. Safe House
  47. 23
  48. Nothing Personal
  49. 24
  50. Back to the Vaudeville
  51. 25
  52. Final Act
  53. 26
  54. The Dotted Line
  55. Acknowledgements
  56. THIS IS JUST THE BEGINNING
  57. Footnote

Before I began writing this book, I had a memorable lunch with Michael Billington, who gave me many insights into the world of the drama critic and assured me that Harriet Throsby was really one of a kind. I am also grateful to Paterson Joseph, a wonderful actor (who has worked with my wife) who helped me come to grips with and not to be afraid of the issues discussed in Chapter 15.

Sophie Comninos is not the real name of the woman who killed her husband (mentioned in Chapter 8), but a generous supporter of the National Youth Theatre who bid at a charity auction to appear in this book.

My relationship with Hilda Starke has come under a lot of strain recently and it’s only thanks to the work put in by her assistant, Jonathan Lloyd, that I have remained with the agency. I am glad to say that Steve Frost (of Frost and Longhurst) has agreed to help me with my tax affairs. My own assistant, Tess Cutler, organises my life and keeps me sane. I couldn’t have written this without her support.

My wife, Jill Green, has been as brilliant as she always is, somehow finding time to read the manuscript between running a production company, moving house and managing the family. She has forgiven me for not telling her about my arrest and interrogation. And my sister, Caroline Dow, really was the first person to believe in Mindgame, so everything that happened was her fault.

Finally, my thanks to my brilliant publishers – not just a company but a bunch of supremely talented people who all deserve to be named and who therefore appear on the next page. For what it’s worth, there were at least thirty errors in the finished book. My dear editor, Selina Walker, spotted them all!

Writers often feel isolated and alone but the truth is that producing a book is a huge team effort.

It’s my pleasure to acknowledge the fantastic support I’ve been given in the long journey from idea to manuscript to finished publication.

PUBLISHER

Selina Walker

EDITORIAL

Joanna Taylor

Caroline Johnson

Charlotte Osment

DESIGN

Glenn O’Neill

PRODUCTION

Helen Wynn-Smith

Tara Hodgson

UK SALES

Mat Watterson

Claire Simmonds

Olivia Allen

Evie Kettlewell

INTERNATIONAL SALES

Richard Rowlands

Erica Conway

Laura Ricchetti

PUBLICITY

Charlotte Bush

Klara Zak

MARKETING

Rebecca Ikin

Sam Rees-Williams

AUDIO

James Keyte

Meredith Benson

Penguin Random House

THIS IS JUST THE BEGINNING

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