Contents (57)
- THE TRIMMED LAMP
- * * *
- O. HENRY
- *
- Contents
- *
- The Trimmed Lamp
- *
- A Madison Square Arabian Night
- *
- The Rubaiyat of a Scotch Highball
- *
- The Pendulum
- *
- Two Thanksgiving Day Gentlemen
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- The Assessor of Success
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- The Buyer from Cactus City
- *
- The Badge of Policeman O'Roon
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- Brickdust Row
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- The Making of a New Yorker
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- Vanity and Some Sables
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- The Social Triangle
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- The Purple Dress
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- The Foreign Policy of Company 99
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- The Lost Blend
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- A Harlem Tragedy
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- "The Guilty Party"
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- According to Their Lights
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- A Midsummer Knight's Dream
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- The Last Leaf
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- The Count and the Wedding Guest
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- The Country of Elusion
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- The Ferry of Unfulfilment
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- The Tale of a Tainted Tenner
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- Elsie in New York
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- * * *
"You don't understand it, Maggie, but I'd have one of my hands cut off to have Big Mike Sullivan at our wedding. It would be the proudest day of my life. When he goes to a man's wedding, there's a guy being married that's made for life. Now, that's why I'm maybe looking sore to-night."
"Why don't you invite him, then, if he's so much to the mustard?" said Maggie, lightly.
"There's a reason why I can't," said Andy, sadly. "There's a reason why he mustn't be there. Don't ask me what it is, for I can't tell you."
"Oh, I don't care," said Maggie. "It's something about politics, of course. But it's no reason why you can't smile at me."
"Maggie," said Andy, presently, "do you think as much of me as you did of your—as you did of the Count Mazzini?"
He waited a long time, but Maggie did not reply. And then, suddenly she leaned against his shoulder and began to cry—to cry and shake with sobs, holding his arm tightly, and wetting the crêpe de Chine with tears.
"There, there, there!" soothed Andy, putting aside his own trouble. "And what is it, now?"
"Andy," sobbed Maggie. "I've lied to you, and you'll never marry me, or love me any more. But I feel that I've got to tell. Andy, there never was so much as the little finger of a count. I never had a beau in my life. But all the other girls had; and they talked about 'em; and that seemed to make the fellows like 'em more. And, Andy, I look swell in black—you know I do. So I went out to a photograph store and bought that picture, and had a little one made for my locket, and made up all that story about the Count, and about his being killed, so I could wear black. And nobody can love a liar, and you'll shake me, Andy, and I'll die for shame. Oh, there never was anybody I liked but you—and that's all."
But instead of being pushed away, she found Andy's arm folding her closer. She looked up and saw his face cleared and smiling.
"Could you—could you forgive me, Andy?"
"Sure," said Andy. "It's all right about that. Back to the cemetery for the Count. You've straightened everything out, Maggie. I was in hopes you would before the wedding-day. Bully girl!"
"Andy," said Maggie, with a somewhat shy smile, after she had been thoroughly assured of forgiveness, "did you believe all that story about the Count?"
"Well, not to any large extent," said Andy, reaching for his cigar case, "because it's Big Mike Sullivan's picture you've got in that locket of yours."
The Country of Elusion
*
The cunning writer will choose an indefinable subject, for he can then set down his theory of what it is; and next, at length, his conception of what it is not—and lo! his paper is covered. Therefore let us follow the prolix and unmapable trail into that mooted country, Bohemia.