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Contents (57)
  1. THE TRIMMED LAMP
  2. * * *
  3. O. HENRY
  4. *
  5. Contents
  6. *
  7. The Trimmed Lamp
  8. *
  9. A Madison Square Arabian Night
  10. *
  11. The Rubaiyat of a Scotch Highball
  12. *
  13. The Pendulum
  14. *
  15. Two Thanksgiving Day Gentlemen
  16. *
  17. The Assessor of Success
  18. *
  19. The Buyer from Cactus City
  20. *
  21. The Badge of Policeman O'Roon
  22. *
  23. Brickdust Row
  24. *
  25. The Making of a New Yorker
  26. *
  27. Vanity and Some Sables
  28. *
  29. The Social Triangle
  30. *
  31. The Purple Dress
  32. *
  33. The Foreign Policy of Company 99
  34. *
  35. The Lost Blend
  36. *
  37. A Harlem Tragedy
  38. *
  39. "The Guilty Party"
  40. *
  41. According to Their Lights
  42. *
  43. A Midsummer Knight's Dream
  44. *
  45. The Last Leaf
  46. *
  47. The Count and the Wedding Guest
  48. *
  49. The Country of Elusion
  50. *
  51. The Ferry of Unfulfilment
  52. *
  53. The Tale of a Tainted Tenner
  54. *
  55. Elsie in New York
  56. *
  57. * * *

"You don't understand it, Maggie, but I'd have one of my hands cut off to have Big Mike Sullivan at our wedding. It would be the proudest day of my life. When he goes to a man's wedding, there's a guy being married that's made for life. Now, that's why I'm maybe looking sore to-night."

"Why don't you invite him, then, if he's so much to the mustard?" said Maggie, lightly.

"There's a reason why I can't," said Andy, sadly. "There's a reason why he mustn't be there. Don't ask me what it is, for I can't tell you."

"Oh, I don't care," said Maggie. "It's something about politics, of course. But it's no reason why you can't smile at me."

"Maggie," said Andy, presently, "do you think as much of me as you did of your—as you did of the Count Mazzini?"

He waited a long time, but Maggie did not reply. And then, suddenly she leaned against his shoulder and began to cry—to cry and shake with sobs, holding his arm tightly, and wetting the crêpe de Chine with tears.

"There, there, there!" soothed Andy, putting aside his own trouble. "And what is it, now?"

"Andy," sobbed Maggie. "I've lied to you, and you'll never marry me, or love me any more. But I feel that I've got to tell. Andy, there never was so much as the little finger of a count. I never had a beau in my life. But all the other girls had; and they talked about 'em; and that seemed to make the fellows like 'em more. And, Andy, I look swell in black—you know I do. So I went out to a photograph store and bought that picture, and had a little one made for my locket, and made up all that story about the Count, and about his being killed, so I could wear black. And nobody can love a liar, and you'll shake me, Andy, and I'll die for shame. Oh, there never was anybody I liked but you—and that's all."

But instead of being pushed away, she found Andy's arm folding her closer. She looked up and saw his face cleared and smiling.

"Could you—could you forgive me, Andy?"

"Sure," said Andy. "It's all right about that. Back to the cemetery for the Count. You've straightened everything out, Maggie. I was in hopes you would before the wedding-day. Bully girl!"

"Andy," said Maggie, with a somewhat shy smile, after she had been thoroughly assured of forgiveness, "did you believe all that story about the Count?"

"Well, not to any large extent," said Andy, reaching for his cigar case, "because it's Big Mike Sullivan's picture you've got in that locket of yours."

The Country of Elusion

*

The cunning writer will choose an indefinable subject, for he can then set down his theory of what it is; and next, at length, his conception of what it is not—and lo! his paper is covered. Therefore let us follow the prolix and unmapable trail into that mooted country, Bohemia.