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Contents ( 64)
  1. Allan Mallinson
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Note on Orthography
  5. GOVERNMENT OF INDIA ACT, 1833
  6. PART ONE
  7. I
  8. Thugs
  9. II
  10. Words of Command
  11. III
  12. ‘Progress’
  13. IV
  14. The Ways of Nature
  15. V
  16. The Penalty of Death
  17. VI
  18. La Longue Carabine
  19. VII
  20. Major Sleeman
  21. VIII
  22. Salvete et Vale
  23. IX
  24. Council of War
  25. X
  26. The Distaff Side
  27. PART TWO
  28. XI
  29. Ghufoor Khan
  30. XII
  31. And All His Pretty Ones
  32. XIII
  33. The Deceiver
  34. XIV
  35. Prudential Judgement
  36. XV
  37. Diplomacy
  38. PART THREE
  39. XVI
  40. A Nine-Gun State
  41. XVII
  42. The First Spear
  43. XVIII
  44. The Tamasha
  45. XIX
  46. The Fatal Gift of Beauty
  47. XX
  48. The Chintal Field Force
  49. XXI
  50. Imperious Duty
  51. XXII
  52. A Few Honest Men
  53. XXIII
  54. The General’s Art
  55. XXIV
  56. Fire and Manoeuvre
  57. XXV
  58. The Race to the Quick
  59. XXVI
  60. The Walls of Jericho
  61. XXVII
  62. The Fruits of Victory
  63. HISTORICAL AFTERNOTE
  64. THIS IS JUST THE BEGINNING

Hervey could say nothing. He could think of no reason to decline, not least if the regiment was to move anyway. Except for Kezia.

Somervile sensed his concern. ‘I know Agra to be the best of places, and the heat less unrelenting than here.’

Hervey knew likewise, but … ‘I believe I must ask Milne’s opinion first.’

‘And what shall the surgeon say?’

Hervey sighed. He knew he ought to be overjoyed. ‘What saith the Preacher indeed?’

Somervile was about to make reply when St Alban’s words of command came clear across the maidan and the band struck up Young May Moon, the regiment’s quick march.

Hervey’s stomach tightened – the sight and the sound. And now the promise: major-general in India, brevet colonel, and yet for a little longer to remain lieutenant-colonel of the Sixth. What more could he reasonably desire? For who can tell a man what shall be after him under the sun?

He watched as they marched off, till the band changed to Lillibulero, another of the dragoons’ favourites, and then turned to his old friend.

‘Somervile, I’m excessively obliged to you. With your leave, then, I shall tell the regiment this day.’

HISTORICAL AFTERNOTE

The suppression of thuggee, along with that of suttee and female infanticide, stands as a monument to the humanity and capability of the Company’s officials. ‘Thuggee’ Sleeman, as he became known, eventually took charge of the Department for the Suppression of Thuggee and Dacoity, in 1839, and with the help of various legal acts of the government of India expanded its operations, including efforts at rehabilitation. During these years, some four thousand ‘thugs’ were arrested, of whom half were convicted and hanged or transported for life. One of them, by the name of Bahram, confessed to having strangled over 900.

By the 1870s thuggee had been effectively eradicated, though the department remained in existence until 1904, when it was replaced by the Central Criminal Investigation Department. The suppression acts were replaced by the Criminal Tribes Act of 1871, by which ethnic or social groups defined as ‘addicted to the systematic commission of non-bailable offences’ were systematically registered by the government, with restrictions on their movements. The act was repealed in 1949 after Indian independence, de-stigmatizing some two and a half million people. However, there was such an upsurge in the criminal activity thitherto draconically suppressed that in 1953 the Habitual Offenders Act was passed, effectively re-stigmatizing the ‘criminal tribes’. It is safe to say that the issue is still unresolved today.

For those who would read more on thuggee, there are Sleeman’s own books, Rambles and Recollections of an Indian Official, the first volume in particular. Philip Meadows Taylor’s 1839 novel Confessions of a Thug, based on actual confession, provides much grisly detail, some of which is no doubt true. Sir Francis Tuker’s The Yellow Scarf (1961) is a lively, robust and imaginative account of thuggee and its suppression. John Masters’s The Deceivers (1952), like all his India novels, is gripping. Mike Dash’s Thug (2005) is the most up-to-date and scholarly account.