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Chapters (43)
  1. Cover
  2. The Taming of the Queen
  3. Family Trees
  4. Maps
  5. HAMPTON COURT PALACE,
  6. HAMPTON COURT PALACE,
  7. OATLANDS PALACE, SURREY,
  8. MANOR OF THE MORE, HERTFORDSHIRE,
  9. AMPTHILL CASTLE, BEDFORDSHIRE,
  10. HAMPTON COURT PALACE,
  11. WHITEHALL PALACE, LONDON,
  12. WHITEHALL PALACE, LONDON,
  13. SAINT JAMES’S PALACE, LONDON,
  14. WHITEHALL PALACE, LONDON,
  15. WHITEHALL PALACE, LONDON,
  16. WHITEHALL PALACE, LONDON,
  17. HAMPTON COURT PALACE,
  18. LEEDS CASTLE, KENT,
  19. WHITEHALL PALACE, LONDON,
  20. WHITEHALL PALACE, LONDON,
  21. WHITEHALL PALACE, LONDON,
  22. WHITEHALL PALACE, LONDON,
  23. NONSUCH PALACE, SURREY,
  24. SOUTHSEA CASTLE, PORTSMOUTH HARBOR,
  25. COWDRAY HOUSE, MIDHURST, SUSSEX,
  26. GREENWICH PALACE,
  27. WHITEHALL PALACE, LONDON,
  28. WHITEHALL PALACE, LONDON,
  29. HAMPTON COURT PALACE,
  30. HAMPTON COURT PALACE,
  31. GREENWICH PALACE,
  32. WHITEHALL PALACE, LONDON,
  33. GREENWICH PALACE,
  34. WHITEHALL PALACE, LONDON,
  35. HAMPTON COURT PALACE,
  36. HAMPTON COURT PALACE,
  37. WINDSOR CASTLE,
  38. WHITEHALL PALACE, LONDON,
  39. OATLANDS PALACE, SURREY,
  40. GREENWICH PALACE,
  41. HAMPTON COURT PALACE,
  42. AUTHOR’S NOTE
  43. BIBLIOGRAPHY

The oars of the royal barge, muffled by the cold mist that lies in heavy ribbons on the river, dip in and out of the water with one splashy movement. The boat surges forward with each stroke and then seems to rest before going forward again as if it were breathing on a living river: leaping and then stilling. Coots and moorhens scurry away from us ahead of the barge, lifting out of the water with their long legs trailing. A broad-winged heron rises silently from the reeds at the riverbank, flapping on huge slow wings; overhead the seagulls cry. To approach Hampton Court in the royal barge on the river, with the bright winter sunlight breaking through the swirls of cold mist, is to see a magical palace emerge, as if it, too, is floating on the cold water.

I snuggle deep into my thick furs. I have rich glossy black sables delivered from the wardrobe of my London house of Baynard’s Castle. I know these belonged to my predecessor, Katherine Howard. I don’t have to ask: I have become familiar with her perfume, a memorable musky smell—she must have drenched everything in it. The moment they bring me a new gown I can smell her, as if she is haunting me in scent as she haunts me in life. I cannot help but wonder if she was drowning out the stink of his rotting leg, as I do with rose oil. At least I refuse to wear her shoes. They brought me a pair with golden heels and velvet toes, fit for a tiny child. She must have been like a little girl beside my husband, more than thirty years younger than him. She must have looked like his granddaughter when she danced with the young people of the court and glanced around at his squires, seeking her boyish lover. I wear her gowns, which are so beautifully made and so richly embroidered, but I will not walk in her shoes. I order new ones, dozens and dozens of pairs, hundreds of them. I pray that I will not dream of her as I follow her footsteps into Hampton Court, wearing her furs, her—and all the others. I sail in Katherine of Aragon’s barge. I wrap Kitty Howard’s sables around me and think that the cold wind blowing down the river will blow away her presence, will blow all the ghosts away, and soon her furs, so soft and luxurious, will be my furs and, brushing constantly against my throat and shoulders, will pick up my perfume of orange blossom and rose.

“Isn’t it beautiful? Nan asks me, looking ahead to where the palace shines in the morning sunlight. “Isn’t it the best of them all?”