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Chapters (43)
  1. Cover
  2. The Taming of the Queen
  3. Family Trees
  4. Maps
  5. HAMPTON COURT PALACE,
  6. HAMPTON COURT PALACE,
  7. OATLANDS PALACE, SURREY,
  8. MANOR OF THE MORE, HERTFORDSHIRE,
  9. AMPTHILL CASTLE, BEDFORDSHIRE,
  10. HAMPTON COURT PALACE,
  11. WHITEHALL PALACE, LONDON,
  12. WHITEHALL PALACE, LONDON,
  13. SAINT JAMES’S PALACE, LONDON,
  14. WHITEHALL PALACE, LONDON,
  15. WHITEHALL PALACE, LONDON,
  16. WHITEHALL PALACE, LONDON,
  17. HAMPTON COURT PALACE,
  18. LEEDS CASTLE, KENT,
  19. WHITEHALL PALACE, LONDON,
  20. WHITEHALL PALACE, LONDON,
  21. WHITEHALL PALACE, LONDON,
  22. WHITEHALL PALACE, LONDON,
  23. NONSUCH PALACE, SURREY,
  24. SOUTHSEA CASTLE, PORTSMOUTH HARBOR,
  25. COWDRAY HOUSE, MIDHURST, SUSSEX,
  26. GREENWICH PALACE,
  27. WHITEHALL PALACE, LONDON,
  28. WHITEHALL PALACE, LONDON,
  29. HAMPTON COURT PALACE,
  30. HAMPTON COURT PALACE,
  31. GREENWICH PALACE,
  32. WHITEHALL PALACE, LONDON,
  33. GREENWICH PALACE,
  34. WHITEHALL PALACE, LONDON,
  35. HAMPTON COURT PALACE,
  36. HAMPTON COURT PALACE,
  37. WINDSOR CASTLE,
  38. WHITEHALL PALACE, LONDON,
  39. OATLANDS PALACE, SURREY,
  40. GREENWICH PALACE,
  41. HAMPTON COURT PALACE,
  42. AUTHOR’S NOTE
  43. BIBLIOGRAPHY

“I am thinking about it,” I say cautiously. “The king is so kind as to encourage me.”

“He is right,” Cranmer says with a bow. “What a church we will make with the Mass in English and prayers written by the faithful! By the Queen of England herself!”

* * *

The warmer weather brings an improvement to the king’s leg, which has been drained of the worst of the pus and is now only weeping gently, and this improves his temper. Working with me and his archbishop, he seems to regain some of his old joy in study, and it even deepens his love of God. He likes us to come to him when he is alone before dinner, perhaps with only a page to serve him some pastries, or one of his clerks in attendance. He has to wear his spectacles for reading now, and he does not like the court to see him with the gold-rimmed glasses tied on his nose. He is shamed by the blurring of his sight and fearful that he will go blind, but he laughs when one day I take his fat face in my hands and kiss it and tell him he looks like a wise owl and that he is handsome in his spectacles and should wear them everywhere.

I go to my own rooms in the day and I am able to work on the liturgy with my ladies. In the afternoons Thomas Cranmer often comes in, and we work together. It is not a long piece, of course, but it is intense. It feels as if every word must be weighted with holiness. There is not a spare line or a false note from beginning to end.

In May, the archbishop brings me the first printed copy, bows, and lays it in my lap.

“This is it?” I say almost wonderingly, my finger on the smooth leather cover.

“This is it,” he replies. “My work and yours, perhaps the greatest work that I will ever do. Perhaps the greatest gift that you will ever be able to give to the English people. Now they can pray in their own language. Now they can speak and trust that God hears them. They can be the people of God, indeed.”

I cannot lift my hand from the cover; it is as if I am touching the hand of God. “My lord, this is a work that will last for generations.”

“And you have done your part in it,” he says generously. “Here is a woman’s voice as well as a man’s, and men and women will say these prayers, perhaps they will even kneel side by side, equals in the sight of God.”

SAINT JAMES’S PALACE, LONDON,

SUMMER 1544