Back The Taming of the Queen
Chapters (43)
  1. Cover
  2. The Taming of the Queen
  3. Family Trees
  4. Maps
  5. HAMPTON COURT PALACE,
  6. HAMPTON COURT PALACE,
  7. OATLANDS PALACE, SURREY,
  8. MANOR OF THE MORE, HERTFORDSHIRE,
  9. AMPTHILL CASTLE, BEDFORDSHIRE,
  10. HAMPTON COURT PALACE,
  11. WHITEHALL PALACE, LONDON,
  12. WHITEHALL PALACE, LONDON,
  13. SAINT JAMES’S PALACE, LONDON,
  14. WHITEHALL PALACE, LONDON,
  15. WHITEHALL PALACE, LONDON,
  16. WHITEHALL PALACE, LONDON,
  17. HAMPTON COURT PALACE,
  18. LEEDS CASTLE, KENT,
  19. WHITEHALL PALACE, LONDON,
  20. WHITEHALL PALACE, LONDON,
  21. WHITEHALL PALACE, LONDON,
  22. WHITEHALL PALACE, LONDON,
  23. NONSUCH PALACE, SURREY,
  24. SOUTHSEA CASTLE, PORTSMOUTH HARBOR,
  25. COWDRAY HOUSE, MIDHURST, SUSSEX,
  26. GREENWICH PALACE,
  27. WHITEHALL PALACE, LONDON,
  28. WHITEHALL PALACE, LONDON,
  29. HAMPTON COURT PALACE,
  30. HAMPTON COURT PALACE,
  31. GREENWICH PALACE,
  32. WHITEHALL PALACE, LONDON,
  33. GREENWICH PALACE,
  34. WHITEHALL PALACE, LONDON,
  35. HAMPTON COURT PALACE,
  36. HAMPTON COURT PALACE,
  37. WINDSOR CASTLE,
  38. WHITEHALL PALACE, LONDON,
  39. OATLANDS PALACE, SURREY,
  40. GREENWICH PALACE,
  41. HAMPTON COURT PALACE,
  42. AUTHOR’S NOTE
  43. BIBLIOGRAPHY

Behind us come the ladies of my chamber and their husbands, behind them the king’s companions wait for him while he is helped up from his chair to his closestool. Someone fetches Doctor Wendy to give the king warm ale and a draft to help with the pain, and guards to help him into his carriage and wheel him out into the garden like a dead boar in a cart.

The double doors to the garden are thrown open by the yeomen of the guard as soon as Thomas and I approach them, and the warm spring air, smelling of the first cut of grass, floods into the palace. We glance at each other—it is impossible not to share our pleasure in the sudden sense of freedom, of release, in joy at the sunshine and the birdsong, and the court dressed in their best and preparing for another nonsensical game in this, the most beautiful palace in England.

I am smiling, simply for the joy of being with him; I could laugh out loud. The sun is warm on my face and the musicians start to play; Thomas Seymour, briefly and unnoticed, touches my hand as it rests on his arm, a swift and invisible caress.

“Kateryn,” he says quietly.

I incline my head to left and right as people curtsey to me as we walk by. Thomas is tall, a head taller than me. He moderates his steps to mine but we stride out together, as if we would go all the way to Portsmouth and set sail on his ship. I think that we are so well matched, if we could have been together—what a couple we would have made, what children we would have conceived!

“Thomas,” I say quietly.

“Love,” he replies.

We need say nothing more. It is like lovemaking, the give and take of few words, the touch of warm skin, even through a thick sleeve, a glance from him to my bright face, my own sense that I am alive now and I have been dead for months. I have been wearing dead women’s gowns and I have been dead myself. But now I feel alive again and longing. I feel desire as a sort of trembling wordless need that makes me think: if I could just lie with him once, I would never ask for more. If I could lie beneath him just once and have his long weight bear down on me, his mouth on mine, the scent of him, the sight of the dark hair on the nape of his neck, the smooth bronzed line from his ear to his collar bone...

“I have to talk to you,” he says. “Will you sit here?”