Contents ( 32)
- THE SON OF A SERVANT
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- AUGUST STRINDBERG
- CLAUD FIELD
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- Contents
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- August Strindberg as Novelist
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- I - Fear and Hunger
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- II - Breaking-In
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- III - Away from Home
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- IV - Intercourse with the Lower Classes
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- V - Contact with the Upper Classes
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- VI - The School of the Cross
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- VII - First Love
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- VIII - The Spring Thaw
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- IX - With Strangers
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- X - Character and Destiny
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- * * *
- Endnotes
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After the funeral there followed a long summer of leisure and freedom. John occupied two rooms with his eldest brother, who did not return from business till the evening. His father was out the whole day, and when they met they were silent. They had laid aside enmity, but intimacy was impossible. John was now his own master; he came and went, and did what he liked. His father's housekeeper was sympathetic with him, and they never quarrelled. He avoided intercourse with his school-fellows, shut himself in his room, smoked, read, and meditated. He had always heard that knowledge was the best thing, a capital fund which could not be lost, and which afforded a footing, however low one might sink in the social scale. He had a mania for explaining and knowing everything. He had seen his eldest brother's drawings and heard them praised. In school he had drawn only geometrical figures. Accordingly, he wished to draw, and in the Christmas holidays he copied with furious diligence all his brother's drawings. The last in the collection was a horse. When he had finished it, and saw that it was unsatisfactory, he had done with drawing.
All the children except John could play some instrument. He heard scales and practising on the piano, violin, and violoncello, so that music was spoiled for him and became a nuisance, like the church-bells had formerly been. He would have gladly played, but he did not wish to practise scales. He took pieces of music when no one was looking and played them—as might be supposed—very badly, but it pleased him. As a compensation for his vanity, he determined to learn technically the pieces which his sisters played, so that he surpassed them in the knowledge of musical technique. Once they wanted someone to copy the music of the Zauberflöte arranged for a quartette. John offered to do so.
"Can you copy notes?" he was asked.
"I'll try," he said.
He practised copying for a couple of days, and then copied out the four parts. It was a long, tedious piece of work, and he nearly gave it up, but finally completed it. His copy was certainly inaccurate in places, but it was usable. He had no rest till he had learned to know all the varieties of plants included in the Stockholm Flora. When he had done so he dropped the subject. A botanical excursion afforded him no more interest; roamings through the country showed him nothing new. He could not find any plant which he did not know. He also knew the few minerals which were to be found, and had an entomological collection. He could distinguish birds by their notes, their feathers, and their eggs. But all these were only outward phenomena, mere names for things, which soon lost their interest. He wanted to reach what lay behind them. He used to be blamed for his destructiveness, for he broke toys, watches, and everything that fell into his hands. Accidently he heard in the Academy of Sciences a lecture on Chemistry and Physics, accompanied by experiments. The unusual instruments and apparatus fascinated him. The Professor was a magician, but one who explained how the miracles took place. This was a novelty for him, and he wished himself to penetrate these secrets.