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Contents ( 32)
  1. THE SON OF A SERVANT
  2. * * *
  3. AUGUST STRINDBERG
  4. CLAUD FIELD
  5. *
  6. Contents
  7. *
  8. August Strindberg as Novelist
  9. *
  10. I - Fear and Hunger
  11. *
  12. II - Breaking-In
  13. *
  14. III - Away from Home
  15. *
  16. IV - Intercourse with the Lower Classes
  17. *
  18. V - Contact with the Upper Classes
  19. *
  20. VI - The School of the Cross
  21. *
  22. VII - First Love
  23. *
  24. VIII - The Spring Thaw
  25. *
  26. IX - With Strangers
  27. *
  28. X - Character and Destiny
  29. *
  30. * * *
  31. Endnotes
  32. *

It was his wet-nurse, who subsequently lay for fifteen years in the same bed, suffering from fits of cramp and wasting disease, till she died. Then he received his portrait in a schoolboy's cap, sent back by the directors of the Sabbatsberg infirmary, where it had hung for many years. During that time the growing youth had only once a year given her an hour of indescribable joy, and himself one of some uneasiness of conscience, by going to see her. Although he had received from her inflammation in his blood, and cramp in his nerves, still he felt he owed her a debt, a representative debt. It was not a personal one, for she had only given him what she had been obliged to sell. The fact that she had been compelled to sell it was the sin of society, and as a member of society he felt himself in a certain degree guilty.

Sometimes the child went to the churchyard, where everything seemed strange. The vaults with the stone monuments bearing inscriptions and carved figures, the grass on which one might not step, the trees with leaves which one might not touch. One day his uncle plucked a leaf, but the police were instantly on the spot. The great building in the middle was unintelligible to him. People went in and out of it, and one heard singing and music, ringing and chiming. It was mysterious. At the east end was a window with a gilded eye. That was God's eye. He did not understand that, but at any rate it was a large eye which must see far.

Under the window was a grated cellar-opening. His uncle pointed out to him the polished coffins below. "Here," he said, "lives Clara the Nun." Who was she? He did not know, but supposed it must be a ghost.

One day he stands in an enormous room and does not know where he is; but it is beautiful, everything in white and gold. Music, as if from a hundred pianos, sounds over his head, but he cannot see the instrument or the person who plays it. There stand long rows of benches, and quite in front is a picture, probably of some Bible story. Two white-winged figures are kneeling, and near them are two large candlesticks. Those are probably the angels with the two lights who go about our house. The people on the benches are bowed down as though they were sleeping. "Take your caps off," says his uncle, and holds his hat before his face. The boys look round, and see close beside them a strange-looking seat on which are two men in grey mantles and hoods. They have iron chains on their hands and feet, and policemen stand by them.

"Those are thieves," whispers their uncle.

All this oppresses the boy with a sense of weirdness, strangeness, and severity. His brothers also feel it, for they ask their uncle to go, and he complies.

Strange! Such are the impressions made by that form of worship which was intended to symbolise the simple truths of Christianity. But it was not like the mild teaching of Christ. The sight of the thieves was the worst—in iron chains, and such coats!