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Chapters (45)
  1. Cover
  2. THE
  3. AUTHOR’S NOTE
  4. A SELECTION FROM
  5. ROYAL FAMILY TREE
  6. BEFORE
  7. OAT PORRIDGE
  8. NOW
  9. 1. ROAST PIGEON
  10. 2. LAMB’S HEAD
  11. 3. BREAD
  12. 4. POMEGRANATE
  13. 5. DEER’S HEART
  14. 6. CAKE BREAD
  15. 7. PIG’S HEART
  16. 8. PIGEON PIE
  17. 9. MUTTON CHOP
  18. 10. BITTER GREENS
  19. 11. NEAT’S TONGUE
  20. 12. HUMBLE PIE
  21. 13. BARLEY GRAIN
  22. 14. CROW’S MEAT WITH PLUM
  23. 15. GRAPES
  24. 16. PICKLED CUCUMBER
  25. 17. HIPPOCRAS
  26. 18. SHORTBREAD
  27. 19. KIDNEY PIE
  28. 20. DRIED RAISINS
  29. 21. GARLIC
  30. 22. BRANDY POSSET
  31. 23. SALT
  32. 24. GINGERBREAD
  33. 25. BLACK PUDDING
  34. 26. HONEY CAKE
  35. 27. COCK BRAIN TART
  36. 28. SACK POSSET
  37. 29. MUSTARD SEED
  38. 30. BEEFSTEAK
  39. 31. GRISTLE
  40. 32. FRUMENTY
  41. AFTER
  42. WHIPPED SYLLABUB
  43. ACKNOWLEDGEMENTS
  44. Praise for The Sin Eater
  45. THE SIN EATER

I don’t know. I don’t know at all what happens after we pass on, except what I was always told by the Makermen: if I was good, I would join the Maker in the sky. And now that I have every folk’s sins heaped on me, I’ll be Eve’s handmaiden. Unless I obey the Maker’s will in my every act, which I’m not sure I can do. And now this man’s sins are getting heaped on me too. When I think on it, it makes me less sorry for him. Why should he be frightened when I’m taking up all his sins?

When I say the last bit to finish the Recitation, I don’t say it kindly at all.

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After my work, the road back towards Northside’s oddly empty. Then I hear drums. Somefolk important has arrived in town. I hear trumpets too. It must be the emissary from the Norman prince, here to propose marriage to Queen Bethany. The one the great revels will celebrate.

I turn off the main road and head to the river, where folk will be gathering to see the emissary’s barge. As I get nearer, the road begins to fill up. It gets fuller and fuller until I’m wending my way through a crowd, trying not to feel hurt when folk recoil at seeing me. I get myself a good view for the procession.

All the court has turned out. They’ve got good views too, on either side of the road down to the wharf. Across from me, a band of musicians wearing the Queen’s badge sit atop a trestle. It’s only after a good gawk that I recall I’ve seen some of them before. They’re the strangers I spied at a newspanto. They play the same long lutes they carried then, but also flutes and viols. One man, young, dark-haired and taut-built, plays an instrument I’ve never seen. It’s as big as a man and has brown curves like a horse’s haunch. He bows it like a viol, but standing up. When he plays, its sound rumbles through my chest.

The highborn folk lining the road around the musicians all wear red and purple, silver and gold, not plain, woad-dyed blue like the rest of us. Behind them, grooms and maids try to keep costly hems out of the dirt and hold burning herbs to counter the stink from the river.

I look among the highborn. Finally I find him. The Country Mouse’s nose is pink with sun, and he’s wearing a big ruff. His badge, I see, is a stag.