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Back The Silence of the Library
Chapters (50)
  1. COVER
  2. PRAISE FOR TITLES BY MIRANDA JAMES
  3. ALSO BY MIRANDA JAMES
  4. TITLE PAGE
  5. COPYRIGHT
  6. DEDICATION
  7. ACKNOWLEDGMENTS
  8. ONE
  9. TWO
  10. THREE
  11. FOUR
  12. FIVE
  13. SIX
  14. SEVEN
  15. EIGHT
  16. NINE
  17. TEN
  18. ELEVEN
  19. TWELVE
  20. THIRTEEN
  21. FOURTEEN
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. TWENTY
  28. TWENTY-ONE
  29. TWENTY-TWO
  30. TWENTY-THREE
  31. TWENTY-FOUR
  32. TWENTY-FIVE
  33. TWENTY-SIX
  34. TWENTY-SEVEN
  35. TWENTY-EIGHT
  36. TWENTY-NINE
  37. THIRTY
  38. THIRTY-ONE
  39. THIRTY-TWO
  40. THIRTY-THREE
  41. THIRTY-FOUR
  42. THIRTY-FIVE
  43. THIRTY-SIX
  44. THIRTY-SEVEN
  45. THIRTY-EIGHT
  46. THIRTY-NINE
  47. FORTY
  48. AFTERWORD
  49. LETTER TO THE READER
  50. SPECIAL EXCERPT FROM BLESS HER DEAD LITTLE HEART

The first result on the screen—after the commercial links to used book sites—led me to a bio of Mrs. Cartwright on a popular Internet encyclopedia. There was only one image attached to the article, a rather grainy photo of her when she was about forty years old. That was during the height of her fame as the creator of Veronica Thane. The first book in the series was published when the author was only twenty-six.

I studied the photograph. Because of the mediocre quality, whether from the original itself or a bad scanning job, I couldn’t see the kind of detail I wanted. I could see the resemblance to Marcella Marter and her son, Eugene, however. They both had the same aquiline nose and rather prominent brows, but Mrs. Cartwright’s mouth looked smaller and softer. Marcella had rather heavy jowls—from her father’s side, I supposed—and Eugene was somewhere in between.

Mrs. Cartwright at the century mark favored the woman of sixty years ago, but of course age exacted a toll on everyone. The younger Electra Cartwright was fleshier, probably plumper in all respects, but I could see the resemblance to the older woman.

I skimmed the basic early biographical details and made a few notes as I went. She was born near Calhoun City, her father a farmer and her mother a schoolteacher. She was an only child who excelled at school—except for mathematics, which she apparently loathed, according to an interview early in her career. There was no money for her to go to college, but apparently she was so eager to get away from small-town life in Mississippi that she struck out for New York when she was barely eighteen. A distant relative offered her a place to live in Connecticut, and off she went. She had performed in plays in high school and was stagestruck, determined to make it on Broadway.

Other than a few bit parts in summer stock and off-Broadway productions, though, Electra Barnes found little success on the stage. She married a young actor named Ellsworth Cartwright when she was twenty, and three years later published her first book, The Mystery at Spellwood Mansion. There were few details in the article about her early life as Mrs. Ellsworth Cartwright, other than the fact that her husband was only slightly more successful on the stage than she had been. Mrs. Cartwright quickly became the breadwinner of the family, and Ellsworth faded into the background. The final mention of him in the article was an obituary notice in 1947.