Back The Silence of the Library
Chapters (50)
  1. COVER
  2. PRAISE FOR TITLES BY MIRANDA JAMES
  3. ALSO BY MIRANDA JAMES
  4. TITLE PAGE
  5. COPYRIGHT
  6. DEDICATION
  7. ACKNOWLEDGMENTS
  8. ONE
  9. TWO
  10. THREE
  11. FOUR
  12. FIVE
  13. SIX
  14. SEVEN
  15. EIGHT
  16. NINE
  17. TEN
  18. ELEVEN
  19. TWELVE
  20. THIRTEEN
  21. FOURTEEN
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. TWENTY
  28. TWENTY-ONE
  29. TWENTY-TWO
  30. TWENTY-THREE
  31. TWENTY-FOUR
  32. TWENTY-FIVE
  33. TWENTY-SIX
  34. TWENTY-SEVEN
  35. TWENTY-EIGHT
  36. TWENTY-NINE
  37. THIRTY
  38. THIRTY-ONE
  39. THIRTY-TWO
  40. THIRTY-THREE
  41. THIRTY-FOUR
  42. THIRTY-FIVE
  43. THIRTY-SIX
  44. THIRTY-SEVEN
  45. THIRTY-EIGHT
  46. THIRTY-NINE
  47. FORTY
  48. AFTERWORD
  49. LETTER TO THE READER
  50. SPECIAL EXCERPT FROM BLESS HER DEAD LITTLE HEART

Melba shrugged. “I guess she reminds me a little bit of Teresa Farmer from the public library.”

“You think in dim light you could mistake Teresa for this woman?” I recalled the incident when Teresa and I visited Mrs. Cartwright and her daughter and how Marcella Marter reacted so oddly when she opened the door and saw Teresa standing there. I figured she might have mistaken Teresa for Yancy Thigpen.

“I reckon I might,” Melba said. She didn’t sound convinced. “What does this have to do with anything, though? You think they could be related?”

“I hadn’t really thought about that,” I said. I told her what happened when we first met Marcella Marter.

“That’s weird enough,” Melba said. “But does it really mean anything?”

“I don’t know,” I replied. Melba shrugged and went back to work on her list.

I examined a few more pictures of Yancy Thigpen, and I soon realized that they all had one thing in common. In every single photograph, each apparently taken on different occasions, Ms. Thigpen was wearing a red dress with a scarf. The scarf in each photo was different, but they were all vivid geometric prints. What this had to do with anything, I wasn’t sure, but the information could be useful to the authorities looking for her. I fired off a brief e-mail to Kanesha, just in case.

That was enough about Yancy Thigpen for the moment, I decided. I needed to get on to the main subject of my research, Electra Barnes Cartwright. The solution to the murder, the disappearance, the strange theft—she was the common denominator. I was convinced of that.

I typed in her name, hit Enter, and got back over twenty-five thousand results. I knew many of them would be repetitive, but I still had to comb through them to make sure I didn’t miss anything significant. As I stared at the screen, I realized I still hadn’t formulated a coherent strategy for my research. I needed to have some focus to what I was doing; otherwise I would easily get sidetracked and end up following trails that would yield nothing helpful. That was what made surfing the Internet both frustrating and fun.

“Melba, let me have a couple of pieces of paper. I need to make a few notes.”

She glanced up from her work, her expression one of fierce concentration. “What? Oh, okay.” She tore several pages out of the notebook and handed them to me.

I found a pen in the jumble drawer and resumed my seat. I stared at the blank page. What should I focus on to start with? Basic biographical information was the logical answer. I made a heading for that on the paper before I turned back to the laptop.