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Chapters (43)
  1. Cover
  2. Dedication
  3. SEPTEMBER 1942
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. CHAPTER FOUR
  8. CHAPTER FIVE
  9. CHAPTER SIX
  10. CHAPTER SEVEN
  11. CHAPTER EIGHT
  12. CHAPTER NINE
  13. CHAPTER TEN
  14. CHAPTER ELEVEN
  15. CHAPTER TWELVE
  16. CHAPTER THIRTEEN
  17. CHAPTER FOURTEEN
  18. CHAPTER FIFTEEN
  19. CHAPTER SIXTEEN
  20. CHAPTER SEVENTEEN
  21. CHAPTER EIGHTEEN
  22. CHAPTER NINETEEN
  23. CHAPTER TWENTY
  24. CHAPTER TWENTY-ONE
  25. CHAPTER TWENTY-TWO
  26. CHAPTER TWENTY-THREE
  27. CHAPTER TWENTY-FOUR
  28. CHAPTER TWENTY-FIVE
  29. CHAPTER TWENTY-SIX
  30. CHAPTER TWENTY-SEVEN
  31. CHAPTER TWENTY-EIGHT
  32. CHAPTER TWENTY-NINE
  33. CHAPTER THIRTY
  34. CHAPTER THIRTY-ONE
  35. CHAPTER THIRTY-TWO
  36. CHAPTER THIRTY-THREE
  37. CHAPTER THIRTY-FOUR
  38. CHAPTER THIRTY-FIVE
  39. CHAPTER THIRTY-SIX
  40. CHAPTER THIRTY-SEVEN
  41. ACKNOWLEDGMENTS
  42. ABOUT THE AUTHOR
  43. What’s next onyour reading list?

Then Stefan entered the interrogation room and smiled at the man. “Possession of illegal radio electronic devices in addition to the crate of Wehrmacht ammunition we discovered on your property.” He clucked his tongue. “You have been a busy man, Georges-Yves Sauvage. Let’s find out what more you’ve been up to.”

CHAPTER TWENTY-TWO

DANIEL

“You’re always one to burn the ships,” his mother once said. She was reading—always, her evenings filled with stacks and stacks of books in three different languages that disappeared at alarming rates—and this time, she was drumming her fingers against a copy of Homer’s Odyssey.

Daniel frowned at her from behind the sheet music he was studying. “I don’t know what you mean.”

“You force yourself to move forward by taking away your escape route. Burning the ships you arrived in so you can’t sail back to safety.”

Daniel twiddled his pencil, uncomfortable with his mother’s stare. Besides, she didn’t have it quite right. He didn’t sabotage things so he was forced to be brave. He just ruined whatever he touched.

The thing about playing viola was that not every great composer knew how to write for it. Sometimes you played Vivaldi, who teased beautiful harmonies out of every part, fitting them together like architecture, scaffolding. Bliss. Then other times you played Pachelbel. Wagner. Haydn, even. Those composers who didn’t know what else to do with you, so they slapped you on an ostinato line, sawing back and forth like the metronome for other, more important roles.

In a sense, then, it was Pachelbel’s fault that Daniel had time to stare off into space, to start memorizing the lines of the second violinist’s face. Daniel was fourteen, and he was overflowing with yearning, a fire in want of a wick.

Ernst—that was the second violinist’s name in the youth chamber orchestra. Like the flamboyant late leader of the Sturmabteilung—the stormtroopers—Ernst Röhm, the other chamber orchestra members would darkly joke. In the windowless practice hall, Ernst was sunlight, never serious, never satisfied, wearing his superiority and glibness like a suit of armor. (Daniel didn’t know, then, the difference between true light and a false, furiously stoked glow.)

He should have recognized the warnings. He should have done the calculations. The snarky utterings after their practice sessions as Ernst smoked and chatted with Liesl and Rudolf, the way they would cut their eyes toward Daniel and change their posture whenever he approached.