Chapters (21)

The animagus wobbles. He turns back to me, eyes flared with pain or zeal, one shoulder hanging lower than the other. Crimson spreads like spilled ink across his robe. “Watch closely, my queen,” he says, and his voice is liquid with drowning. “This is what will happen to everyone in Joya d’Arena if you do not present yourself as a willing sacrifice.”

Hector reaches me at last, grabs my shoulders, and starts to pull me away, even as the guards rush the animagus. But his Godstone already glows like a tiny sun; they will not capture him in time. I expect fire to shoot toward us, to turn my people into craters of melt and char, and suddenly I’m grappling for purchase at the joints of Hector’s armor, at his sword belt, pushing him along, for I can’t bear to see another friend burn.

But the animagus turns the fire on himself.

He screams, “It is God’s will!” He raises his arms to the sky, and his lips move as if in prayer while the conflagration melts his skin, blackens his hair, turns him into a living torch for the whole city to see.

The scent of burning flesh fills the air as the remaining crowd scatters. The horses rear and plunge away, trampling everyone in their path, the carriage rattling behind.

“To the queen!” Hector yells above my head.

A wind gusts through the amphitheater, extinguishing the biggest flames and flinging bits of hair and robe into the sky. The animagus’ charred body topples off the stair and plunges to the ground, trailing smoke and sparks.

I turn to rest my forehead against Hector’s breastplate and close my eyes as the chaos around us gradually dissipates. The chill of my Godstone fades, and I breathe deep of warm desert air and of relief.

Hector says, “We must get you back to the palace.”

“Yes, of course,” I say, pulling away from him and standing tall. “Let’s go.” Maybe if I pretend hard enough, I will feel strong in truth.

My guards form a wedge of clanking armor and drawn swords. As we begin the long, steep trek home, a bit of white robe, edged with glowing cinders, flutters to the ground at my feet.

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Credit

Book design by Paul Zakris

Copyright

This book is a work of fiction. References to real people, events, establishments, organizations, or locales are intended only to provide a sense of authenticity, and are used to advance the fictional narrative. All other characters, and all incidents and dialogue, are drawn from the author’s imagination and are not to be construed as real.