Chapters (13)
wit of, 80
“Frost, Robert” (public persona), 21–22, 40–46
allure of masks to, 140
“monster myth” of, 52–53, 54, 55–57, 60, 63
in need of rescuing, 53–55, 63
posthumous impressions of, 49
as public property, 61
Gazzaniga, Michael, 120–23, 125
“Gift Outright, The,” 48
Godfather, The, 106
Google Insights for Search, 5–7, 10
Graham, Rev. Billy, 106
Grail quest, 93–94, 96
Graves, Robert, 68
Gray, Thomas, “Elegy Written in a Country Churchyard,” 100
Great Dismal Swamp, Frost’s trip to, 25–26, 29
Greenfield, Kent, The Myth of Choice, 113–14, 115
Hall, Lars, 123–24
Hardy, Thomas, 86
Hass, Robert Bernard, 33
Haynes, John-Dylan, 127
H. D. (Hilda Doolittle), 154
Hecate (goddess), 168
hekataia (emblems), 168
Hirstein, William, 119
Hitchcock, Alfred, Psycho, 7
Hoffman, Tyler, 42–43
Hollis, Matthew, Now All Roads Lead to France, 15
Holton, Richard, 110
Horney, Karen, 51
Hornsby, Bruce, 3
Howells, William Dean, 41
Hulme, T. E., 154
human voice, contours of, 31
Hume, David, 147–48
“Liberation from the Self,” 148–49
“Hyla Brook,” 27
identity:
different aspects of, 149, 152
uncertainty about, 143–44
individualism, 12, 79–80, 104, 107, 112, 153, 154, 155, 159, 160–61, 163–64
internal consistency, 112
“Into My Own,” 131
irrationality, 115
Iyengar, Sheena, The Art of Choosing, 111–13, 155
James, William, 26, 165
“jam study,” 112
Jaws, 106
Jefferson, Thomas, 161
Jesus of Nazareth, 96
Johansson, Petter, 123–24
Johnson, Lyndon B., 48
Johnson, Robert, “Cross Road Blues,” 164
Johnson, Samuel, 100
Johnson, S. I., 168
joke vs. poem, 98, 154
Joyce, James, Ulysses, 8, 20
Kant, Immanuel, 146
Kearns, Katherine, 85
Kennedy, John F., 47–49
Khrushchev, Nikita, 48
Kitayama, Shinobu, 156
Korsakoff’s syndrome, 119–20
Kusserow, Adrie, 159
Kweli, Talib, 3
language:
indeterminacy of, 30–31
ordinary speech, 30, 34, 36, 38–39, 43, 46, 58
of poetry, 30–31, 46
syntax of, 31
universality in, 31
Larkin, Philip, 60–61, 86
Lask, Thomas, 42–43
Lazarus, Emma, “The New Colossus,” 171
LeDoux, Joseph, 120–21
Lee, Robert E., 22
Lehman, David, 95
Lentricchia, Frank, 9
Leonhard, Emma Mae, 42
Leucippus, 125
Lewis, Wyndham, 20
libertarians, 128
liberty, 13, 16, 104
Libet, Benjamin, 126
liminality, 167–72
literature, standard themes of, 100
Longfellow, Henry Wadsworth, 9, 165
Lowell, Amy, 41
Lowell, Robert, 10
Lowenherz, David H., 116
magic, 169
Mark, Saint, 96
Markus, Hazel Rose, 156
“Mending Wall,” 10
metaphor, 168
Mill, John Stuart, 32
Miller, Arthur, Death of a Salesman, 7
modernism, 35–36
Monteiro, George, 72–73
Montgomery, Lucy Maud, Anne of Green Gables, 144
Morrison, Kay, 50
Moss, Howard, 52–53
“Most of It, The,” 94
“Mountain, The,” 31
“Mowing,” 27
Muldoon, Paul, 101
“My Butterfly,” 24–25
neighbors, 58–59
Newdick, Robert, 139
New Republic, The, 41
New York Times, 48
North of Boston, 30, 32, 41, 44
Norton Anthology of Modern Poetry, The, 86–87
Oates, Joyce Carol, 55
optimism, 105
“Oven Bird, The,” 27
Parfit, Derek, 110, 148
Parini, Jay, Robert Frost: A Life, 23, 25, 54
“Pasture, The,” 32–34
Payne, Leonidas W. Jr., 65
Peck, M. Scott, The Road Less Traveled, 4, 79, 134–36
perfectability, human, 104–5
perfection, quest for, 19
personhood, 140–45
Picasso, Pablo, 10
Pinsky, Robert, 5, 94, 95
Plath, Sylvia, 86
Plato, 146
Poe, Edgar Allan, 10
poetry:
about delay, 90–91
concepts embodied in, 100
difficult nature of, 35, 65, 97
envelope stanza in, 33
form of, 62
free verse, 89
guardedness vs. fervor in, 86
interpretation of, 11, 97
language of, 30–31, 46
and metaphor, 168
and music, 89
sound of sense vs. words in, 30
universality in, 31, 35
Poetry Society of America, 47
poets:
and popularity, 10–11
reputations built by, 19
strong periods of, 27
as unknowns, 19–21
Poirier, Richard, 12
Robert Frost: The Work of Knowing, 117–18
Pope, Alexander, 87
Popkin, Henry, 42
Pound, Ezra, 9, 10, 20, 35, 154
Cantos, 86
“Station of the Metro,” 6
Pritchard, William, 41
Frost: A Literary Life Reconsidered, 54, 55
Pulitzer Prize, 45
“Putting in the Seed,” 27
rationalization, 12
recognition, 100
“Reluctance,” 88
Richardson, Mark, 69–70, 95–96
Road Not Taken (video game), 4
“Road Not Taken, The,” 2–3
ambiguity in, 144, 152
appearance of conversation in, 32, 38, 58
audience separated into factions via, 97
conclusion of, 68–69
deceptiveness of, 48, 67, 69, 70, 140
determinism vs. free will in, 128–29
“difference” analyzed as word, 144–45
and “Directive,” 94–96, 98
as emblematic, 11, 16–17
familiar concepts in, 100–101
final stanza of, 82–85, 117, 142–45
first lines of, 98
hesitations in, 89
influence of, 1–4
inspired by crossroad meeting, 142
inspired by Thomas, 13–16, 29, 65, 85–86, 152–53
joke vs., 98, 154
message attributed to, 136
as misunderstood, 7–9, 11–12, 15–16, 65–68, 82