Chapters (13)
Berry, Wendell, 73
Best American Poetry (Lehman, ed.), 95
“Birches,” 10, 57–58
Bishop, Elizabeth, 86
Boy’s Will, A, 21, 28, 29
brain:
contralateral control by, 121
and neuroscience, 129
split-brain research, 120–24
unconscious neural activity in, 126–27
Braithwaite, William Stanley, 39
Brodkey, Harold, 56
Bromwich, David, 52
Brower, Reuben, 96
Brown, Brené, 160
bundle theory, 148, 152
Bush, George W., 131–33, 155
Camus, Albert, “The Myth of Sisyphus,” 113, 115
Capgras syndrome, 120
Carnegie, Dale, 135
causal determinism, 125, 151
“cautious,” use of term, 87–88
chaos, 149
Chiasson, Dan, 85
choice, 99–130
act of, see decision making
age of, 129
ambiguity in, 16, 63–64, 88, 129, 160
in American culture, 12–13
chance vs., 9
concept of, 100–101, 116
conscious, 118
consequences of, 84, 98, 141, 144–45
existential significance in, 76
by free agent acting freely, 104, 125–30
happiness via, 113
how-to books about, 108–9, 111–15, 126
idealized (“pure”), 103–4
illusory nature of, 115
of interpretation, 97, 117
leading to improvement, 104–5, 113
life-changing, 78
meaningful, 124
choice (cont.)
missing aspects in this poem, 101–3
moral consequences of, 102
multiple options, 102
never made, 12
not to choose, 103
other possibilities foreclosed in, 91, 97
patterns of, 107
possibility of, 161
sameness of options in, 76–78, 103
subjection to, 75
telling the story of, 118–19
choice blindness, 123, 126
chooser, 131–61
alone, 152, 158
authenticity of, 134
Bush as decider, 131–33, 155
as changed by choice, 141
control by, 133
and personhood, 140–45
as responsible agent, 146
and the self, see self
Chrysippus, 125
Chun Siong Soon, 127
Churchill, Winston, 10
closure, fear of, 92
Collected Poems (Frost), 32
collectivism, 112, 155
compatibilists, 128–29
Complete Poems (Frost), 45
confabulation, 119–24
confusion, overcoming, 98
“Constant Symbol, The,” 99
control, 16, 133, 163–64
corpus callosum, 120
Cox, Sidney, 139
Coyne, Jerry, 126
Cramer, Jeffrey S., Robert Frost Among His Poems, 165
crossroads, 163–72
centrality of, 165
decisions made at, 64, 88, 164, 172
dilemma of, 165–66
and doorways, 171–72
emblems of, 168
importance of, 170
and magic, 169
meeting one’s self at, 142
pause as essence of, 166–67
refuse disposal at, 168–69
return to, 95
symbolism of, 166
“two roads” theme, 165
cultural priming, 159
Dante Aligheiri, 73
Inferno, 34
“Death of the Hired Man,” 27
decision, inability to perceive, 123, 124
decision making:
about trivialities, 103
as act of will, 73
archetypal representation of, 100
brain activity prior to, 126–27
by coin flip, 28, 87
consequences of, 164, 172
at crossroads, 64, 88, 164, 172
difficulty of, 88, 129
meaning of, 99
person changed in, 75–76
prolonging the moment of, 91
research in, 109–10, 112, 114
Declaration of Independence, 104
Descartes, René, 146
“Design,” 27
determinism, 125–30
DeVoto, Bernard, 46
Dickinson, Emily, 165
“difference” analyzed as word, 144–45
“Directive,” 92–96, 98, 170
doorways, 171–72
Dyer, Wayne, Your Erroneous Zones, 137, 138
Dylan, Bob, “Like a Rolling Stone,” 7
Eastern Poultryman, The, 20
effects of actuality, 39
egoism, 16
Eisenhower, Dwight D., 46–47
Eliot, T. S., 10, 34–35, 58, 95
and Bloomsbury group, 20
as The Egoist editor, 20
Prufrock and Other Observations, 34
The Waste Land, 6, 20, 31
Emerson, Ralph Waldo, 163
Epictetus, 125
Etheridge, Melissa, 3
Ezekiel (prophet), 165
Faggen, Robert, 75
fallacy of substitution, 71
Favorite Poem Project, 5, 95
Finley, Guy, 138
Fitzgerald, F. Scott, The Great Gatsby, 7, 105
Flint, F. S., 154
Ford Motor Company, 1, 16
forecasting, affective (hedonic), 143
Franklin, Benjamin, 135
Frederick, Shane, 110
freedom, 104
free will, 114, 121, 125–30, 146
Fried, Itzhak, 126
Frost, Carol (son), 27, 56–57
Frost, Elinor Bettina (daughter), 27
Frost, Elinor White (wife), 21, 23–25, 28, 87
Frost, Elliott (son), 26
Frost, Irma (daughter), 27
Frost, Jeanie (sister), 22
Frost, Lesley (daughter), 26, 28, 29
Frost, Marjorie (daughter), 27
Frost, Robert:
on the act of writing, 89
ambitions of, 61
as American symbol, 10, 46, 47, 61
audiences of, 9–10, 11, 34, 35, 36, 42, 54–55, 63–64, 87
awards and honors to, 45, 47
belief in personal agency, 153
birth and early years of, 22–23
celebrity of, 10–11, 12, 21, 41, 46, 55
contradictions of, 63–64
control sought by, 116–17, 118
as craftsman, 19
death of, 48–49, 61
dramatic masks assumed by, 85
in England, 13–14, 87
epitaph, 88–89
evasiveness of, 86, 89, 116, 139–40
family of, 26–27, 28, 46, 116
on form, 62
and identity, 12, 22, 46, 164
and liminality, 169–70
myth of, 49, 52
perception of authenticity in, 43
and performance, 39, 40–44, 47–48, 58, 73, 82–83, 89, 139–40, 167–68
and the poem, 154
popularity of, 10–11, 41, 63
process as everything to, 91–92
reserved nature of, 86–88
return to U.S., 40, 41
risks taken by, 87, 89
success of, 38, 41–42, 45, 46
as teacher, 28, 40
travel to Russia, 48–49