Back The Rhesus Chart
Chapters (23)
  1. Cover
  2. Ace Books by Charles Stross
  3. Title Page
  4. Copyright
  5. Dedication
  6. 1.
  7. 2.
  8. 3.
  9. 4.
  10. 5.
  11. 6.
  12. 7.
  13. 8.
  14. 9.
  15. 10.
  16. 11.
  17. 12.
  18. 13.
  19. 14.
  20. 15.
  21. 16.
  22. 17.
  23. 18.

5.

HOT ZONE

IT’S ABOUT THREE IN THE MORNING AND WE’RE BOTH DEEPLY asleep when the red telephone rings.

It’s not a flashy electronic device with a scrambler; quite the opposite: it’s a 1950s GPO-issue telephone. Which is to say it’s made out of bakelite on a pressed steel base, has a rotary dial, and the ringer is a fucking church bell loud enough to wake the dead. It is connected via a Victorian-era twisted pair line to an electromechanical Strowger exchange in the Dansey House basement, all clicking relays and buzzing motors, guaranteed immune to EMP and other civilization-ending disasters.*

The reason we have this archaic monstrosity in the house is that if someone in Ops needs to declare a Code Blue emergency, the only way to stop it from ringing is to hit it very hard with a sledgehammer. Even popping a nuke over London might not be enough to stop it ringing. Both Mo and I are on The List, under different headings; she’s Agent CANDID, and I’m, well, among my other duties—we’re big on matrix management here—I’m there as personal assistant and understudy to Angleton, the Eater of Souls.

Anyway: the phone rings. At the first bell, I awaken with a shudder but am confused and wonder if it’s one of those curious auditory hallucinations sent to torment the somnolent by disturbing a good night’s sleep with phantom dispatches from the Home Delivery Network. But with the second ring (it’s the traditional British ring-ring, not the long-drawn-out American riiiiing) I’m halfway out of bed before I realize what’s happening, and by the third ring I’m at the bottom of the stairs, swearing and fumbling for the receiver as Mo clatters around behind me, bare-arse naked and clutching her violin case.

“Howard speaking,” I say, forcing the words through a sleep-congested larynx.

“Control here. This is a Code Blue call for Agent CANDID.”

Oh fuck. I look round, see Mo looming over me with sleep-disordered hair, violin case in hand. “It’s for you,” I say, and pass her the phone. We squeeze past each other, and I go back up the hall staircase, shivering in the late-night chill as she takes the call.

“CANDID here,” she says.

I go back to the bedroom and pull her go-bag from the closet. What else? Ah, yes. There’s a spare toilet bag packed and ready to go in the bathroom: I fetch that, too, and carry it downstairs. She’s still on the phone, listening intently, as I squeeze past her to the kitchen, plant the bags, then start prepping the coffee maker. Either she’ll have time for a mug before they pick her up, or I can use it in a few hours’ time: it all depends what kind of job it is.