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The Rains

Gregg Hurwitz
Chapters (54)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Preface
  5. Epigraph
  6. Entry 1
  7. Entry 2
  8. Entry 3
  9. Entry 4
  10. Entry 5
  11. Entry 6
  12. Entry 7
  13. Entry 8
  14. Entry 9
  15. Entry 10
  16. Entry 11
  17. Entry 12
  18. Entry 13
  19. Entry 14
  20. Entry 15
  21. Entry 16
  22. Entry 17
  23. Entry 18
  24. Entry 19
  25. Entry 20
  26. Entry 21
  27. Entry 22
  28. Entry 23
  29. Entry 24
  30. Entry 25
  31. Entry 26
  32. Entry 27
  33. Entry 28
  34. Entry 29
  35. Entry 30
  36. Entry 31
  37. Entry 32
  38. Entry 33
  39. Entry 34
  40. Entry 35
  41. Entry 36
  42. Entry 37
  43. Entry 38
  44. Entry 39
  45. Entry 40
  46. Entry 41
  47. Entry 42
  48. Entry 43
  49. Entry 44
  50. Entry 45
  51. Epilogue
  52. Acknowledgments
  53. About the Author
  54. Newsletter Sign-up
cover

Title Page

image

Copyright Notice

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Dedication

TO PHILIP EISNER

A great friend and writer,

fellow traveler through the darkness …

… and the light

Preface

The document you are reading does not—cannot—exist. If you’re reading this, your life is at risk. Or I should say, your life is at even greater risk than it was already. I’m sorry to burden you with this. I don’t wish you the kind of harm that came to me and the others from Creek’s Cause. This is what I’ve managed to piece together since it all began. I wrote it down knowing that words are more powerful than bullets—and certainly more dangerous. All is probably lost already.

But maybe, just maybe, these pages will give you a chance.

I hope you’re up to it.

Epigraph

The day after the day after tomorrow, in a state nestled among others …

Entry 1

ENTRY 1

It was past midnight. I was still working in the barn when I heard the rolling door lurch open. I started and lost my grip on a block of hay. It tumbled off the baling hooks.

It was creepy out here with the wind whipping across the roof, fluttering loose shingles. Bits of hay strobed through the shafts of light from the dangling overheads, and the old beams groaned beneath the load of the loft. I was plenty tough, sure, but I was also a high-school sophomore and still got spooked more often than I’d want to admit.

I turned to the door, my fists clenched around the wooden handles of the baling hooks. Each hook is a wicked metal curve that protrudes about a foot from between the knuckles of my hand. The barn door, now open, looked out onto darkness. The wind lashed in, cutting through my jeans and flannel shirt, carrying a reek that overpowered the scent of hay. It smelled as if someone were cooking rotten flesh.

I clutched those baling hooks like a second-rate Wolverine, cleared my throat, and stepped toward the door, doing my best to deepen my voice. “Who’s there?”

Patrick swung into sight, his pump-action shotgun pointed at the floor. “Chance,” he said, “thank God you’re okay.”