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Chapters (56)
  1. Cover
  2. Halftitle
  3. By the same author
  4. Title
  5. Dedication
  6. Prologue
  7. Part I Cleave
  8. December 1979
  9. Spokes
  10. Saskia
  11. The Beige Bakkie
  12. Rutherford & Joseth
  13. The Villagers
  14. Spokes
  15. Kuki
  16. Spokes
  17. Saskia
  18. Joseth
  19. Spokes
  20. January 1980
  21. Tom
  22. Vida
  23. Tom
  24. Spokes
  25. Saskia
  26. Spokes
  27. Spokes
  28. February 1980
  29. Spokes
  30. Saskia
  31. Saskia
  32. Spokes
  33. Saskia
  34. Spokes
  35. Part II Cleave
  36. March 1980
  37. The Lovely Loveness
  38. Dikeledi
  39. Lukha
  40. Spokes
  41. Sitshengisiwe
  42. Philemon
  43. Rutherford & Spokes
  44. Spokes
  45. Spokes
  46. April 1980
  47. Spokes
  48. Silas
  49. Dr Gustav Mabuse
  50. Spokes
  51. Kuki
  52. The Red Aster
  53. Spokes
  54. Epilogue
  55. Acknowledgements
  56. Rate this book

The nearness of the vile and corrupting Cornelius Findlay had sickened her. The knowledge of who her real father was – a man only sixteen years her senior – had sickened her. The realisation of what her mother had done had sickened her.

Saskia, long at sea, had become completely unmoored by the truth, which turned her life into an emotional whirlpool that landed her in Ingutsheni. Through all the madness, however, she had been sane enough to devise a plan. Cornelius Findlay was dead, her mother was too far gone, and so Emil Coetzee would have to pay the heaviest price for what had happened to her.

As Saskia struggled back into her clothes and stumbled away from a still shocked Clement Rutherford, she realised that she had become Cornelius Findlay’s perfect creation – a person deformed and distorted by their need for revenge. She had meant to lure Emil Coetzee with the promise of writing a very flattering biography, had thought he would not be able to resist the idea of being immortalised and idolised by an attractive, sexually available woman. One father had violated her; why not another? Emil Coetzee was a man whose appetites and proclivities were well known. This, getting him to sleep with her, had been the surest way she knew of destroying him. She had not just wanted to tell him the truth; she had wanted to make him complicit in every bad thing that had happened to her beyond her conception. Since they had never shared in each other’s lives, she had wanted them to share in each other’s hurt and pain and humiliation – to be bound together by something even stronger than biology: shame.

When, six months after her hospitalisation, Saskia had been deemed well enough to reintegrate into society, her wimp of a husband, Norman Hargrave, found the courage to ask her for a divorce as soon as she returned home. Saskia did not love Norman. She never had. She had married him only because he had asked her to marry him. But she did not want him to leave her, either. It was a matter of pride. It was a matter of survival. It was a matter of … normalcy. If their marriage failed, it would mean that she had failed at building a normal, adult life, and then what would have been the point of all that suffering?