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Chapters (56)
  1. Cover
  2. Halftitle
  3. By the same author
  4. Title
  5. Dedication
  6. Prologue
  7. Part I Cleave
  8. December 1979
  9. Spokes
  10. Saskia
  11. The Beige Bakkie
  12. Rutherford & Joseth
  13. The Villagers
  14. Spokes
  15. Kuki
  16. Spokes
  17. Saskia
  18. Joseth
  19. Spokes
  20. January 1980
  21. Tom
  22. Vida
  23. Tom
  24. Spokes
  25. Saskia
  26. Spokes
  27. Spokes
  28. February 1980
  29. Spokes
  30. Saskia
  31. Saskia
  32. Spokes
  33. Saskia
  34. Spokes
  35. Part II Cleave
  36. March 1980
  37. The Lovely Loveness
  38. Dikeledi
  39. Lukha
  40. Spokes
  41. Sitshengisiwe
  42. Philemon
  43. Rutherford & Spokes
  44. Spokes
  45. Spokes
  46. April 1980
  47. Spokes
  48. Silas
  49. Dr Gustav Mabuse
  50. Spokes
  51. Kuki
  52. The Red Aster
  53. Spokes
  54. Epilogue
  55. Acknowledgements
  56. Rate this book

As Tom lurched and swerved and swayed his way home along Selborne Avenue, he heard footsteps approaching. The footsteps on the floorboards were the clickety-clack of a woman’s heeled pair of shoes. Floorboards? A woman? Was he back on stage? Who was he playing in this moment? What was his role? Was he finally playing Lear? Was this Cordelia approaching? Was he about to tell Ophelia to get herself to a nunnery, or let Lady Macbeth persuade him to get blood on his hands? Tom tried to push through the fog of his mind so that he could remember what great role he was supposed to be playing. Shylock? Was this Portia come in the guise of Balthasar to teach him the difference between justice and vengeance? There was a clearing in his mind, and Tom remembered that gone were his glory days on the stage, and that he had been reduced to playing Emil Coetzee at bars. In that case, the woman was a lover. Emil Coetzee certainly had plenty of those. The knowledge that it was a woman following him allowed Tom to relax. There was never anything to fear from a woman except the end of her tether.

The heeled clickety-clack crept closer on the floorboards … No, Tom remembered, he was not on the stage now: the footsteps were on the concrete pavement of one of the streets in the City of Kings … Selborne Avenue. Clickety-clack. Clickety-clack. As the footsteps came nearer, the strong scent of a cheap woman’s perfume grew stronger. No, not quite right – modifier in the wrong place – a woman’s cheap perfume. There was a world of difference between a cheap woman’s perfume and a woman’s cheap perfume, Tom thought, just before the woman called out to him.

‘Emil!’ she said.

Tom turned around and heard three shots being fired from a gun. It was only when he began to sink to the cold concrete of the pavement that he realised he had been shot. Had the woman who shot him given him a moment to pause and reflect, Tom would have been happy to know that his performance as Emil was so complete and so convincing that the woman thought he was indeed Emil Coetzee.

As Tom struggled to turn his lolling head, he heard the clickety-clack of the heels come nearer still. The scent of a woman’s cheap perfume … a cheap woman’s perfume … tickled his nostrils, and he would have sneezed had his body not been in distress. He opened his eyes with great difficulty to see leaning above him a woman who was now so close that he could hear her shaky breath. Her back was to the streetlight and so her face was poorly lit, but Tom could tell that she was anywhere between the ages of thirty and sixty. Although he could not see her clearly, he was certain he had never seen the woman before.