Back The Pools Save as PDF
Chapters (47)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Table of Contents
  5. prologue
  6. Howard: Christmas, 1985
  7. Joanna: Christmas, 1985
  8. part one: Howard
  9. one: Summer, 1965
  10. two: Spring, 1966
  11. three: Autumn, 1968
  12. four: April, 1969
  13. five: Summer, 1974
  14. six: 1976
  15. seven: Summer, 1979
  16. eight: January, 1982
  17. part two: Joanna
  18. one: Summer, 1984
  19. two: Spring, 1985
  20. three: Spring, 1985
  21. four: August, 1985
  22. five: August, 1985
  23. six: August, 1985
  24. seven: September, 1985
  25. eight: September, 1985
  26. part three
  27. one: Howard, September, 1985
  28. two: Joanna, October, 1985
  29. three:Howard, November, 1985
  30. four: Joanna, November, 1985
  31. five: Howard, November, 1985
  32. six: Joanna, November, 1985
  33. seven: Howard, November, 1985
  34. eight: Joanna, November, 1985
  35. nine: Howard, November, 1985
  36. ten: Joanna, November, 1985
  37. eleven: Howard, December, 1985
  38. twelve: Joanna, December, 1985
  39. thirteen: Howard, December, 1985
  40. fourteen: Joanna, December, 1985
  41. fifteen: Howard, December, 1985
  42. sixteen: Joanna, December, 1985
  43. seventeen: Howard, December, 1985
  44. eighteen: Joanna, December, 1985, epilogue
  45. Joanna: Christmas, 1985
  46. Howard: January, 1986
  47. acknowledgements

Shane grins back, a half smile that shows his uneven teeth.

‘I’ll see you, then,’ he says.

And before I can think of a reply (where? when?), he turns and walks out the door, leaving the bell clanging.

I wrap my fingers round the can; it’s still warm from Shane’s pocket.

I meet Simon in Mr Badger’s tearoom, a café that does tea in a china pot and has lace everywhere: all over the tables, on the walls, in the loo.

When I come in he’s sitting there, wiping his glasses on the tablecloth and peering at the menu. A pot of tea steams in front of him.

He jumps up. ‘You’re late, young lady.’

‘I was discussing crucial plot moments with a teacher.’

He touches his specs and grins. ‘Touché. I’ve ordered you a coke.’

‘No ice?’

‘No ice, exactly as you like it.’

I take off my denim jacket and sit down.

I see him give my pink scoop-neck T-shirt a good once-over.

‘Where’s your school blouse?’

‘I changed in the toilets before I left.’

A girl wearing an apron covered in toilet-roll-dolly frills puts down my coke. It’s in a half-pint glass, resting on a doily, resting on a china saucer.

Simon stops looking at my T-shirt and rummages in his rucksack. ‘Here we are. You’re doing Frankenstein at school, aren’t you?’ He slaps a paperback down on the tablecloth.

I take a sip of coke and nod.

‘What can you tell me about Mary Shelley?’

‘She wrote a book that was made into a lot of films,’ I say.

‘That’s true. Have you seen any?’

‘I’ve seen that cartoon with Frankenstein in it. And The Munsters.’

Simon raises a finger. ‘Can you tell me the mistake you made there?’

‘What?’

‘Think about identity. Who precisely is the monster – and who isn’t?’ He puts both elbows on the table and leans across with his gob open in a half-smile. This is one of the first things we covered in class, but I don’t mention that. Instead, I stretch my legs out under the table and feel for his ankle with the point of my shoe. ‘What are you on about?’

Looking triumphant, he shifts his ankle out of my shoe-line. ‘Doctor Frankenstein is the scientist; the quote-unquote monster is not, in fact, Frankenstein at all. But you could say that what the doctor does is quote-unquote monstrous.’ He beams.

‘Quote-unquote monstrous? What’s that supposed to mean?’

‘I’m placing monster within quotation marks, denoting a certain… so-called-ness about the term. Like, you might say, people think that Joanna is a quote-unquote monster, but in fact she’s just a mixed-up girl.’

‘Who says I’m a quote-unquote monster?’

He laughs. ‘No one. No one.’ He pours himself some more tea, lifting the teapot so high that the stream of water sounds like a stream of piss.