Back The Pools Save as PDF
Chapters (47)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Table of Contents
  5. prologue
  6. Howard: Christmas, 1985
  7. Joanna: Christmas, 1985
  8. part one: Howard
  9. one: Summer, 1965
  10. two: Spring, 1966
  11. three: Autumn, 1968
  12. four: April, 1969
  13. five: Summer, 1974
  14. six: 1976
  15. seven: Summer, 1979
  16. eight: January, 1982
  17. part two: Joanna
  18. one: Summer, 1984
  19. two: Spring, 1985
  20. three: Spring, 1985
  21. four: August, 1985
  22. five: August, 1985
  23. six: August, 1985
  24. seven: September, 1985
  25. eight: September, 1985
  26. part three
  27. one: Howard, September, 1985
  28. two: Joanna, October, 1985
  29. three:Howard, November, 1985
  30. four: Joanna, November, 1985
  31. five: Howard, November, 1985
  32. six: Joanna, November, 1985
  33. seven: Howard, November, 1985
  34. eight: Joanna, November, 1985
  35. nine: Howard, November, 1985
  36. ten: Joanna, November, 1985
  37. eleven: Howard, December, 1985
  38. twelve: Joanna, December, 1985
  39. thirteen: Howard, December, 1985
  40. fourteen: Joanna, December, 1985
  41. fifteen: Howard, December, 1985
  42. sixteen: Joanna, December, 1985
  43. seventeen: Howard, December, 1985
  44. eighteen: Joanna, December, 1985, epilogue
  45. Joanna: Christmas, 1985
  46. Howard: January, 1986
  47. acknowledgements

But I haven’t been able to get Kathryn to leave Robert’s bedroom. Since the funeral, she sits in there every day, lost in his sea of blue. I wait downstairs in the living room, a mug of tea going cold on the table in front of me, and listen to her footsteps above. I hear the springs of the bed moan as she sits herself down on his duvet. I hear the creak of his wardrobe door, and I imagine her reaching in to touch his jumpers, shirts, socks, again. I hear the groan of his drawers as she opens each one, and I picture her flicking through his sketchbooks, looking for something she hasn’t seen before.

Yesterday, I heard her close and lock Robert’s door behind her. She slid the bolt home, and I sat all afternoon, listening to the sounds of my wife in our dead son’s bedroom. I sat and listened, and, outside, it snowed. I didn’t notice this until it was quite dark and I’d stood up to draw the curtains. A thick layer of white had fallen over my garden. Even the stumps of my roses were covered. The reflection of the street light on the snow cast a yellowy light over everything in the living room, and I stood for a moment, looking back at my own imprint in the cushions of the chair where I’d sat all afternoon, and I heard the bed springs above me moan again, and I knew that she would spend the night in his bed.

In the morning, I knock on the door of his bedroom, and there’s no response.

‘Kathryn,’ I say. ‘Can I come in?’

I hear the bed springs go. After a few moments, she slides the bolt over and cracks open the door.

‘What do you want?’

‘Can I come in?’

She sighs and rests her head on the doorframe. Her hair sticks out to the side. I think of our son’s cockatoo touch. She closes her eyes and her dark lashes rest on her cheeks. Her cheeks seem dark, now, too. They have a hollow look.

‘Why do you want to come in?’ Her voice is a quiet monotone.

For a second I feel a terrible urge to shake her.

‘Please,’ I say.

She turns and sits on the bed, leaving the door open. She’s wearing her maroon dressing gown. It has a zip all the way up the front and an embroidered tulip on the pocket. I chose it for her years ago, thinking of the book on tulips that she’d held to her chest on the day we’d had our first real conversation in the library.