They’d set up a little desk and a couple of file cabinets in the back; the room was still full of empty racks that had once held DVDs, and a lot of tangled wires and other junk was hanging from open spaces in the droppanel ceiling. Leaned against the rear wall of the store was a life-size cardboard figure, coated with a film of dust, of some movie star Grey couldn’t place, a bald black dude in wraparounds, with biceps that bulged under his T-shirt like a couple of canned hams he was trying to smuggle out of a supermarket. The movie was nothing Grey remembered, either. Grey filled out the form but the people there, a man and a woman, barely seemed to look at it. While they typed into the computer they asked him to pee in a cup and then gave him a polygraph, but that was standard stuff. He did his best not to feel like he was lying even when he was telling the truth, and when they asked him about the time he’d done at Beeville, as he knew they would, he told them the story straight out: no way to hide it with the wires, and it was a matter of record besides, especially in Texas, with the website you could go to and see everybody’s faces and all the rest. But even this seemed not to be a problem. They seemed to know a lot about him already, and most of their questions had to do with his personal life, the stuff you couldn’t learn except by asking. Did he have friends? (Not really.) Did he live alone? (When hadn’t he?) Did he have any living family? (Just an aunt in Odessa he hadn’t seen in about twenty years and a couple of cousins he wasn’t even sure he knew the names of.) The trailer park where he was living, up in Allen—who were his neighbors? (Neighbors?) And so on, in that vein. Everything he told them seemed to make them happier and happier. They were trying to hide it, but you could see it on their faces, plain as the words in a book. When he decided they weren’t police, he realized he’d been thinking maybe they were.