He should have seen this coming, Sanjay thought. It was the last thing he needed, people taking the situation into their own hands. But Sam Chou—it seemed completely out of character for the man, as mild a fellow as Sanjay had ever known, to go off half-cocked like that. Sam ran the greenhouses, a Chou always had; it was said that he fussed over the banks of peas and carrots and lettuce like pets. He supposed all those Littles had something to do with it. Every time Sanjay turned around, it seemed, Sam was passing out the celebratory shine and Other Sandy was pregnant again.

“Ben, he’s your cousin. You hear anything about this?”

“When would I? I’ve been here all morning.”

Sanjay told them to double the guard at the lockup and stepped down onto the path. It really was awfully damn quiet, he thought. Not even the birds were singing. It made him think again of looking at the girl, the feeling he’d had of being seen. As if, behind her sweetly sleeping face—and there was something sweet about it, he thought, a babyish kind of sweetness; it reminded him of Mausami when she was just a Little, climbing into her cot in the Big Room and waiting for Sanjay to bend toward her to kiss her good night—as if her mind, the girl’s mind, behind her eyelids, that veil of soft flesh, was seeking his out in the room. Jimmy wasn’t wrong; there was something about her. Something about her eyes.

“Sanjay?”

He realized his thoughts were drifting, carrying him away on a current. He swiveled to find Jimmy standing on the top step, his eyes pulled into a squint and his body leaning forward expectantly, the words of some unspoken declaration stalled on his lips.

“Well?” Sanjay’s mouth was suddenly dry. “What is it?”

The man opened his mouth to speak, but no words came; the effort seemed lost.

“It’s nothing,” Jimmy said finally, looking away. “Sara’s right. I really could use some sleep.”

Chapter Thirty

THIRTY

There would come a time, many years later, when Peter would recall the events surrounding the girl’s arrival as a series of dancelike movements: bodies converging and separating, flung for brief periods into wider orbits, only to be drawn back again under the influence of some unknown power, a force as calm and inevitable as gravity.

When he’d come into the Infirmary the night before and seen the girl—so much blood, blood everywhere, Sara frantically trying to seal off the wound and Caleb with the soaked compress in his hands—he’d felt not horror or surprise but a blast of pure recognition. Here was the girl of the carousel; here was the girl of the hallway and the mad dash in darkness; here was the girl of the kiss and the closing door.