Peter waited a few minutes to put some distance between himself and the three of them. He felt peculiarly agitated, alert but without focus. What had transpired was only talk, nothing, in the end, that should have surprised him all that much: the expected, awkward condolences he knew so well, and then the news that he wouldn’t have to be Household after all—a fact he should have welcomed, wanting nothing whatsoever to do with the daily duties of running things in the first place. And yet Peter had felt a deeper current running under the surface of the conversation. He had the distinct impression of being maneuvered, of everybody knowing something he didn’t.

Hoisting his pack over one shoulder—the thing was practically empty, why had he bothered?—he decided not to go to the barracks straight off and instead moved down the path in the opposite direction.

The Dark Night Stone sat at the far end of the plaza: a pear-shaped granite boulder twice the height of a man, grayish white with jewel-like flecks of pink quartzite, in the surface of which were engraved the names of the missing and the dead. This was why he had come. One hundred and sixty-two names: it had taken months to etch them all. Two whole families of Levines and Darrells. The entire Boyes clan, nine all told. A host of Greenbergs and Patals and Chous and Molyneaus and Strausses and Fishers and two Donadios—Lish’s parents, John and Angel. The first Jaxons to be named on the stone were Darla and Taylor Jaxon, Peter’s grandparents, who’d died in the rubble of their house under the north wall. It was easy for Peter to think of them as old since they’d been dead for fifteen years, the entirety of their lives consigned to a time before his living memory, a region of existence that Peter simply thought of as “ago.” But, in fact, Taylor hadn’t been much older than forty, and Darla, Taylor’s second wife, just thirty-six at the time of the quake.

The Stone had originally been meant for the victims of Dark Night, but since then it had seemed only natural to keep with this custom, to record the dead and lost. Zander’s name, Peter saw, had already been inscribed. It did not stand alone: it came below his father and his sister and the woman to whom, Peter recalled, Zander had been married, years ago. It seemed so out of character for Zander to even speak to anyone, let alone be married, that Peter had forgotten all about her. The woman, whose name was Janelle, had died in childbirth with their baby, just a few months after Dark Night. The child hadn’t been named yet, so there was nothing to write, and his brief stay on earth had gone unrecorded.

“If you want, I can do the engraving for Theo.”