“What’s next?” he asked her.

Amy’s cheeks were spattered with sugar and grease. She reached up to wipe them with the back of her hand, but Wolgast stopped her. “Use a napkin,” he said, and handed one to her.

“The carousel,” she said.

“Really? Seems pretty tame after the Octopus.”

“They got one?”

“I’m sure they do.”

The carousel, Wolgast thought. Of course. The Octopus was for one part of her, the grown-up part, the part that could watch and wait and lie with confident charm to the woman in the line; the carousel was for the other Amy, for the little girl she really was. Under the spell of the evening, its lights and sounds and the still-churning part of him that had ridden the Octopus four times in a row, he wanted to ask her things: who she really was; about her mother, her father if she had one, and where she was from; about the nun, Lacey, and what had happened at the zoo, the craziness in the parking lot. Who are you, Amy? What brought you here, what brought you to me? And how do you know I’m afraid, that I’m afraid all the time? She took his hand again as they walked; the feel of her palm against his own was almost electrical, the source of a warm current that seemed to spread through his body as they walked. When she saw the carousel with its glowing deck of painted horses, he felt her pleasure actually pass from her body into his.

Lila, he thought. Lila, this was what I wanted. Did you know? It’s all I ever wanted.

He handed the operator their tickets. Amy picked a horse on the outer rim, a white Lipizzaner stallion frozen in mid-prance, grinning a bright row of ceramic teeth. The ride was almost empty; it was past nine o’clock, and the youngest children had gone home.

“Stand next to me,” Amy commanded.

He did; he placed one hand on the pole, another on the horse’s bridle, as if he were leading her. Her legs were too short to reach the stirrups, which dangled freely; he told her to hold tight.