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Chapters (49)
  1. Title Page
  2. Dedication
  3. Chapitre Un
  4. Chapitre Deux
  5. Chapitre Trois
  6. Chapitre Quatre
  7. Chapitre Cinq
  8. Chapitre Six
  9. Chapitre Sept
  10. Chapitre Huit
  11. Chapitre Neuf
  12. Chapitre Dix
  13. Chapitre Onze
  14. Chapitre Douze
  15. Chapitre Treize
  16. Chapitre Quatorze
  17. Chapitre Quinze
  18. Chapitre Seize
  19. Chapitre Dix-sept
  20. Chapitre Dix-huit
  21. Chapitre Dix-neuf
  22. Chapitre Vingt
  23. Chapitre Vingt et un
  24. Chapitre Vingt-deux
  25. Chapitre Vingt-trois
  26. Chapitre Vingt-quatre
  27. Chapitre Vingt-cinq
  28. Chapitre Vingt-six
  29. Chapitre Vingt-sept
  30. Chapitre Vingt-huit
  31. Chapitre Vingt-neuf
  32. Chapitre Trente
  33. Chapitre Trente et un
  34. Chapitre Trente-deux
  35. Chapitre Trente-trois
  36. Chapitre Trente-quatre
  37. Chapitre Trente-cinq
  38. Chapitre Trente-six
  39. Chapitre Trente-sept
  40. Chapitre Trente-huit
  41. Chapitre Trente-neuf
  42. Chapitre Quarante
  43. Chapitre Quarante et un
  44. Chapitre Quarante-deux
  45. Chapitre Quarante-trois
  46. Chapitre Quarante-quatre
  47. Acknowledgements
  48. About the author
  49. Copyright

Madame Roux returns with the flowers I brought her – yellow chrysanthemums – in a big white vase and puts them down on the large cream doily in the middle of the coffee table. Chrysanthemums. In France, those are the flowers you buy for people when somebody dies. At least, that’s what the flower seller told me when I bought them on the way here this morning, but I’m not sure that’s entirely true. Mme Roux didn’t seem particularly thrilled when she saw them. But then I handed her that business card, introduced myself as Lors Carron from Le Voltage and told her why I was here. Her eyes softened after that. She let me inside.

She sits down and pours the coffee. A big silver pot and two tiny cups.

It’s always strange to see where someone lives. It tells you so much about them. Often things you’d never guess from meeting them. Like Sabine with her bright red hair and enfant terrible demeanour seems misplaced in the leafy suburbia of Boulogne-Billancourt among the floral throw pillows and doilies. Yet that’s where she lived. Right now, I’m sitting on the sofa she would have sat on many times: a light green and pink paisley. A shiver runs down my spine as though Sabine’s ghost is here, right now, watching me lie to her mother.

The feeling is compounded by the fact Mme Roux looks just like her daughter: though her hair is grey and perfectly coiffed, not red and messy, and her movements are slower. It’s as though she’s weighed down or constricted by a heavy gauze of grief that has wrapped itself around her. A gauze that is bound to only tighten over time.

‘Sabine was so excited about this exhibition,’ she says, pushing my little cup towards me.

That’s what I told her at the door: that we, at Le Voltage, were putting on Sabine’s exhibition. That I needed some information for the flyers. Yes, I’m basically Satan’s little helper, but it seemed like a good idea at the time. Because I don’t know how she feels about journalists and I couldn’t risk her not talking to me. So this was all I could think of. How else am I meant to do Sabine justice in my article?