Back The Other Side of Silence Save as PDF
Chapters (38)
  1. Cover
  2. Also by Philip Kerr
  3. Dedication
  4. Epigraph
  5. ONE
  6. TWO
  7. THREE
  8. FOUR
  9. FIVE
  10. SIX
  11. SEVEN
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. TWELVE
  17. THIRTEEN
  18. FOURTEEN
  19. FIFTEEN
  20. SIXTEEN
  21. SEVENTEEN
  22. EIGHTEEN
  23. NINETEEN
  24. TWENTY
  25. TWENTY-ONE
  26. TWENTY-TWO
  27. TWENTY-THREE
  28. TWENTY-FOUR
  29. TWENTY-FIVE
  30. TWENTY-SIX
  31. TWENTY-SEVEN
  32. TWENTY-EIGHT
  33. TWENTY-NINE
  34. THIRTY
  35. THIRTY-ONE
  36. THIRTY-TWO
  37. THIRTY-THREE
  38. AUTHOR’S NOTE

I shook my head. “It isn’t like that at all, Mr. Maugham. It isn’t something simply mechanistic, as you put it. Love and hate, human feelings and emotion, they’re all the same God-given illusion. It’s what convinces us that we’re here and that we count for something in this universe. When we don’t. Not for a second. Everything we feel and that we think—it’s all the same cosmic joke. You should know that more than most people, Mr. Maugham. You’ve been playing God and inflicting cosmic jokes on your characters for sixty years.”

“I’d no idea you were a philosopher, Mr. Wolf.”

“I’m a German, Mr. Maugham. For us, philosophy is a way of life.”

I’d finished my dinner and now I asked him to show me the garden, and he took his pipe and I my cigarettes down to the grotto by the swimming pool, where there was a large Chinese bronze gong that sounded once a day to announce the cocktail hour. I’d missed that, of course, but Maugham had thoughtfully asked Ernest to prepare me a jug of cold gimlets and while we sat there, we talked and I drank myself into a slightly better mood. Or so I thought.

“One of the disadvantages to playing G-God,” said Maugham, “is that I notice much more than most people. God is merely all-seeing. But I have other senses, too, and while my hearing may not be as good as it was, I can still detect a certain weltschmerz in your voice and manner that was not there before. Which is saying something, I can tell you. At the best of times you’re just bone dry. But tonight you make Heinrich Heine sound positively full of the joys of spring. So then. It’s not over, is it? With this man Hebel, I mean. It was kind of you to pretend it was, but there’s something else he’s got for sale. Something bigger than that photograph, I can tell.”

“Yes, sir.”

“Thank you for sparing the boys,” he said. “That was decent of you. They do worry so. But I think you’d better tell me now, don’t you?”

“Yes, sir.” I lit another cigarette. “It has to do with your friend Guy Burgess, again.”

“He’s not my friend, let’s make that quite clear now, shall we? The man is an absolute scoundrel.”