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Back The Other Side of Silence Save as PDF
Chapters (38)
  1. Cover
  2. Also by Philip Kerr
  3. Dedication
  4. Epigraph
  5. ONE
  6. TWO
  7. THREE
  8. FOUR
  9. FIVE
  10. SIX
  11. SEVEN
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. TWELVE
  17. THIRTEEN
  18. FOURTEEN
  19. FIFTEEN
  20. SIXTEEN
  21. SEVENTEEN
  22. EIGHTEEN
  23. NINETEEN
  24. TWENTY
  25. TWENTY-ONE
  26. TWENTY-TWO
  27. TWENTY-THREE
  28. TWENTY-FOUR
  29. TWENTY-FIVE
  30. TWENTY-SIX
  31. TWENTY-SEVEN
  32. TWENTY-EIGHT
  33. TWENTY-NINE
  34. THIRTY
  35. THIRTY-ONE
  36. THIRTY-TWO
  37. THIRTY-THREE
  38. AUTHOR’S NOTE

“So you do think it’s him?” I said. “The real Guy Burgess.”

“It’s been a few years since I saw him, and many others would know better than me, but it certainly sounds like him, yes. As to whether it was actually recorded on that Russian ship, as he and Maclean fled London for Leningrad, I have no idea. Your guess is as good as mine.”

“Hot stuff, some of it,” muttered Robin. “Don’t you think? All that stuff about Trimalchio’s house. You wouldn’t want that to come out, Uncle Willie.”

“I suppose not,” said Maugham unhappily.

“Though some of it was really quite amusing, what? All that stuff about Clarissa Churchill?”

“The urgent question is, of course,” insisted Maugham, “where the fuck did this tape come from? And how did Harold Heinz Hebel come by it? Did the KGB send a copy to the BBC? If they did, it was obviously never used. I can’t imagine the circumstances in which they would have broadcast the whole thing. I think we’d have heard about that by now, even down here. If it was sent to the BBC, then has the BBC already shared the tape with the intelligence services? And if not, why not? Is it possible that the tape was stolen from the BBC? On the other hand, was the tape given to Hebel by someone in the KGB—someone who is intent on making more mischief in our security services? Or is it someone who just wants to make a ton of money from our security services, as Walter here suggested before? Is it worth two hundred thousand dollars to the British government to stop that tape from being sent to an American radio station?” Maugham relit his pipe and puffed it thoughtfully. “And even more importantly, is it worth two hundred thousand dollars to me? When you buy a tape recording, how do you know there isn’t a copy?”

“To that extent, it’s no different from buying a photograph,” I said. “Even if you buy the negative there’s no way of knowing how many more prints there are.”

“Those are all good questions,” said Robin. “And I wonder how on earth we can answer them?”

“I don’t know,” said Maugham. “But I do know someone who might.”

NINETEEN