Chapters (38)
- Cover
- Also by Philip Kerr
- Dedication
- Epigraph
- ONE
- TWO
- THREE
- FOUR
- FIVE
- SIX
- SEVEN
- EIGHT
- NINE
- TEN
- ELEVEN
- TWELVE
- THIRTEEN
- FOURTEEN
- FIFTEEN
- SIXTEEN
- SEVENTEEN
- EIGHTEEN
- NINETEEN
- TWENTY
- TWENTY-ONE
- TWENTY-TWO
- TWENTY-THREE
- TWENTY-FOUR
- TWENTY-FIVE
- TWENTY-SIX
- TWENTY-SEVEN
- TWENTY-EIGHT
- TWENTY-NINE
- THIRTY
- THIRTY-ONE
- THIRTY-TWO
- THIRTY-THREE
- AUTHOR’S NOTE
“By an agent of the HVA. One of Blunt’s students in London, I believe. At the Courtauld Institute. I’m afraid I don’t know his name. He gave the picture to Berlin, who passed it on to Hennig, and when Hennig arrived down here, he contacted Robin Maugham, who rightly identified the photograph as the one he himself had used to blackmail Blunt. Consequently, it was a relatively simple task for Hennig to pressure Robin Maugham, first to invite Gunther to the Villa Mauresque, and then for Somerset Maugham to use Gunther as a reliable courier between himself and Hennig. The plan was that Gunther should ingratiate himself with Somerset Maugham by obtaining the photograph for no money, at which point Hennig would reveal the new material with which he was going to blackmail Maugham, and by extension the British secret service. Carrying out the blackmail down here was perceived to be a lot safer than attempting such a thing in London, where almost certainly everyone involved would have been arrested.”
“Tell us about the new material,” said the monk. “It was a tape recording, was it not?”
“Yes, a tape recording of the Soviet agent Guy Burgess explaining how he came to work for the KGB. General Mielke believed that as soon as Somerset Maugham heard what Burgess had to say he would understand the vital importance of the tape to his old friends in MI6. Also, it was believed that Somerset Maugham had the financial means to buy the tape himself on behalf of the British secret service. Of course, the Burgess tape—which is perfectly genuine, it is indeed Guy Burgess speaking, although the tape was recorded in Moscow, not at sea—contained a small, almost insignificant detail that was to be the equivalent of Desdemona’s handkerchief, I suppose; something small and almost insignificant. It was this: that Burgess had met someone in Paris in nineteen thirty-seven who had recently worked for British American Tobacco in Shanghai, and that this same person had been recruited by the Soviet GRU. Mielke hoped that someone in British intelligence would eventually make the connection between the tobacco salesman and Roger Hollis. After which MI6 and MI5—already feeling deeply paranoid after the recent defections of Burgess and Maclean—would do all the heavy lifting work of discrediting Roger Hollis themselves. He was quite convinced that just to plant the seed of doubt about Hollis would be more than enough to scupper the man. In the same way that Iago lets Othello do most of the hard work of distrusting Desdemona by himself.”
“Did Mielke have to take the Othello plan to the KGB for operational approval?”
“I believe so, yes. It was to be the HVA’s first big operation to prove it had come of age as an intelligence service to Moscow, as it were. You see, the HVA is a comparatively new service still trying to win the trust of the Soviets.”