Back The One from the Other
Chapters (50)
  1. Praise
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Epigraph
  6. ONE
  7. TWO
  8. THREE
  9. FOUR
  10. FIVE
  11. SIX
  12. SEVEN
  13. EIGHT
  14. NINE
  15. TEN
  16. ELEVEN
  17. TWELVE
  18. THIRTEEN
  19. FOURTEEN
  20. FIFTEEN
  21. SIXTEEN
  22. SEVENTEEN
  23. EIGHTEEN
  24. NINETEEN
  25. TWENTY
  26. TWENTY-ONE
  27. TWENTY-TWO
  28. TWENTY-THREE
  29. TWENTY-FOUR
  30. TWENTY-FIVE
  31. TWENTY-SIX
  32. TWENTY-SEVEN
  33. TWENTY-EIGHT
  34. TWENTY-NINE
  35. THIRTY
  36. THIRTY-ONE
  37. THIRTY-TWO
  38. THIRTY-THREE
  39. THIRTY-FOUR
  40. THIRTY-FIVE
  41. THIRTY-SIX
  42. THIRTY-SEVEN
  43. THIRTY-EIGHT
  44. THIRTY-NINE
  45. FORTY
  46. FORTY-ONE
  47. FORTY-TWO
  48. EPILOGUE
  49. AUTHOR’S NOTE
  50. Teaser chapter

I came out of the church and stepped straight onto a number six heading south down Karlsplatz. I like trams. You don’t have to worry about filling them up with gasoline, and it’s safe to leave them parked down some insalubrious backstreet. They’re great if you can’t afford a car, and in the summer of 1949, there were few people, other than Americans and the Baron von Starnberg, who could. Also, trams go exactly where you want them to go, provided you’re wise enough to choose a tram that’s going somewhere near where you’re going. I didn’t know where Wolfgang Stumpff was going, or where he was coming from, but I figured there was a better chance of seeing him on one of those trams instead of some others. Detective work doesn’t always require a brain the size of Wittgenstein’s. I rode the number six as far as Sendlinger-Tor-Platz, where I got off and caught a number eight going the opposite way. It went up Barer Strasse, to Schwabing and I rode this one as far as Kaiser-platz and the Church of St. Ursula. For all I knew, there were more sculptures by Ignaz Gunther in there, too, but seeing a thirty-seven coming along Hohenzollernstrasse, I hopped on that one.

I told myself there was no point in riding each tram to its terminus. My chances of spotting Wolfgang Stumpff were improved by riding them around the center of Munich, where there were many more people getting on and off. Sometimes being a detective involves playing statistician and figuring out the probabilities. I rode them on top and I rode them down below. Up top was better because you could smoke, but it meant you couldn’t see who was getting on and off inside, which was what people called that part of a tram that wasn’t upstairs. It was nearly all men on top because nearly all men were smokers, and if women did smoke they preferred not to do it on a tram. Don’t ask me why. I’m a detective, not a psychologist. I didn’t want to take a chance that Stumpff wasn’t a smoker, but I figured the baron’s daughter would never have seen Stumpff if he had been upstairs on a tram. Not from the window of a Porsche 356—it was too low. She might have seen him on the top deck if she had been in a cabriolet, but never from a coupe.