Chapters (50)
- Praise
- Title Page
- Copyright Page
- Dedication
- Epigraph
- ONE
- TWO
- THREE
- FOUR
- FIVE
- SIX
- SEVEN
- EIGHT
- NINE
- TEN
- ELEVEN
- TWELVE
- THIRTEEN
- FOURTEEN
- FIFTEEN
- SIXTEEN
- SEVENTEEN
- EIGHTEEN
- NINETEEN
- TWENTY
- TWENTY-ONE
- TWENTY-TWO
- TWENTY-THREE
- TWENTY-FOUR
- TWENTY-FIVE
- TWENTY-SIX
- TWENTY-SEVEN
- TWENTY-EIGHT
- TWENTY-NINE
- THIRTY
- THIRTY-ONE
- THIRTY-TWO
- THIRTY-THREE
- THIRTY-FOUR
- THIRTY-FIVE
- THIRTY-SIX
- THIRTY-SEVEN
- THIRTY-EIGHT
- THIRTY-NINE
- FORTY
- FORTY-ONE
- FORTY-TWO
- EPILOGUE
- AUTHOR’S NOTE
- Teaser chapter
I came out of the church and stepped straight onto a number six heading south down Karlsplatz. I like trams. You don’t have to worry about filling them up with gasoline, and it’s safe to leave them parked down some insalubrious backstreet. They’re great if you can’t afford a car, and in the summer of 1949, there were few people, other than Americans and the Baron von Starnberg, who could. Also, trams go exactly where you want them to go, provided you’re wise enough to choose a tram that’s going somewhere near where you’re going. I didn’t know where Wolfgang Stumpff was going, or where he was coming from, but I figured there was a better chance of seeing him on one of those trams instead of some others. Detective work doesn’t always require a brain the size of Wittgenstein’s. I rode the number six as far as Sendlinger-Tor-Platz, where I got off and caught a number eight going the opposite way. It went up Barer Strasse, to Schwabing and I rode this one as far as Kaiser-platz and the Church of St. Ursula. For all I knew, there were more sculptures by Ignaz Gunther in there, too, but seeing a thirty-seven coming along Hohenzollernstrasse, I hopped on that one.
I told myself there was no point in riding each tram to its terminus. My chances of spotting Wolfgang Stumpff were improved by riding them around the center of Munich, where there were many more people getting on and off. Sometimes being a detective involves playing statistician and figuring out the probabilities. I rode them on top and I rode them down below. Up top was better because you could smoke, but it meant you couldn’t see who was getting on and off inside, which was what people called that part of a tram that wasn’t upstairs. It was nearly all men on top because nearly all men were smokers, and if women did smoke they preferred not to do it on a tram. Don’t ask me why. I’m a detective, not a psychologist. I didn’t want to take a chance that Stumpff wasn’t a smoker, but I figured the baron’s daughter would never have seen Stumpff if he had been upstairs on a tram. Not from the window of a Porsche 356—it was too low. She might have seen him on the top deck if she had been in a cabriolet, but never from a coupe.