Back The One from the Other
Chapters (50)
  1. Praise
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Epigraph
  6. ONE
  7. TWO
  8. THREE
  9. FOUR
  10. FIVE
  11. SIX
  12. SEVEN
  13. EIGHT
  14. NINE
  15. TEN
  16. ELEVEN
  17. TWELVE
  18. THIRTEEN
  19. FOURTEEN
  20. FIFTEEN
  21. SIXTEEN
  22. SEVENTEEN
  23. EIGHTEEN
  24. NINETEEN
  25. TWENTY
  26. TWENTY-ONE
  27. TWENTY-TWO
  28. TWENTY-THREE
  29. TWENTY-FOUR
  30. TWENTY-FIVE
  31. TWENTY-SIX
  32. TWENTY-SEVEN
  33. TWENTY-EIGHT
  34. TWENTY-NINE
  35. THIRTY
  36. THIRTY-ONE
  37. THIRTY-TWO
  38. THIRTY-THREE
  39. THIRTY-FOUR
  40. THIRTY-FIVE
  41. THIRTY-SIX
  42. THIRTY-SEVEN
  43. THIRTY-EIGHT
  44. THIRTY-NINE
  45. FORTY
  46. FORTY-ONE
  47. FORTY-TWO
  48. EPILOGUE
  49. AUTHOR’S NOTE
  50. Teaser chapter

“I wish you would buy one,” she said. “Business has been a little slow today.”

“It’s the Föhn,” I told her.

She unbuttoned her jacket and flapped herself with half of it. I sort of enjoyed that myself. Not just the perfumed breeze she made for us but also the low-cut silk blouse she was wearing underneath. If I’d been an artist I’d have called it an inspiration. Or whatever artists call it when they see a girl’s nipples pressing through her shirt like two chapel hat-pegs. She was worth a bit of charcoal and paper anyway.

“I suppose so,” she said and blew a lipful of air and cigarette smoke at her own forehead. “Tell me, did you come in here to look or just to laugh?”

“Probably a bit of both. That’s what Lord Duveen recommended, anyway.”

“For an artless vulgarian, you’re quite well informed, aren’t you?”

“True decadence involves taking nothing too seriously,” I said. “Least of all, decadent art.”

“Is that really what you think of it? That it’s decadent?”

“I’ll be honest,” I said. “I don’t like it one little bit. But I’m delighted to see it exhibited without any interference from people who know as little about art as I do. Looking at it is like looking inside the head of someone who disagrees with you about nearly everything. It makes me feel uncomfortable.” I shook my head sadly and sighed, “That’s democracy, I guess.”

Another customer came in. A customer chewing gum. He was wearing a pair of enormous brogues and carrying a folding Kodak Brownie. A real connoisseur. Someone with lots of money, anyway. The girl went to squire him around the pictures. And a little after that Father Gotovina showed up and we went out of the gallery, to the English Garden, where we sat down on a bench beside the Rumford Monument. We lit cigarettes and ignored the warm wind in our faces. A squirrel came bounding along the path, like an escaped fur tippet, and stopped near us in the hope of some morsel. Gotovina flicked his match and then the toe of a well-polished black boot at the furry oscillation. The priest was obviously not a nature lover.

“I made a few inquiries regarding your client’s husband,” he said, hardly looking at me at all. In the bright afternoon sunshine his head was amber-colored, like a good bock beer, or maybe a Doppel. While he spoke, the cigarette stayed in his mouth, jerking up and down like a conductor’s baton bringing to order the riotous orchestra of hydrangeas, lavender, gentian, and irises that was arrayed in front of him. I hoped they would do what they were told, just in case he tried to kick them the way he had tried to kick the squirrel.