The Nowhere Man
Chapters (82)
- Title Page
- Copyright Notice
- Dedication
- Epigraphs
- 1. What He Needs to Know
- 2. The Social Contract
- 3. War Machine
- 4. Clean as a Scalpel
- 5. The Eyes of the Data-Mining Beast
- 6. Struck Oil
- 7. The Inevitable Gurgle
- 8. His Own Dollhouse
- 9. Our Lady of Holy Death
- 10. The Strange Language of Intimacy
- 11. No Longer the Same Place
- 12. Magical Machinations
- 13. Last Glance Back
- 14. Rambo in a Bespoke Shirt
- 15. Back-Alley Philosophers
- 16. Faithful Companions
- 17. Beautiful Monster
- 18. Flesh and Bone
- 19. Somewhere Much, Much Worse
- 20. No End Point
- 21. In Trouble
- 22. Divine Right
- 23. Destroying Angel
- 24. A Complex, Sticky Business
- 25. Not Very Nice
- 26. Man or Nature
- 27. Six in Total
- 28. The Grim Reapress
- 29. Your Bad Self
- 30. Someone’s Idea of a Library
- 31. A Hard Man
- 32. Ready
- 33. The Inexpressible
- 34. What It Is You Do
- 35. Into the Snowy White
- 36. A Real Fighter
- 37. More Animal Than Human
- 38. A Bad Night’s Work
- 39. To the Brink
- 40. People Who Deserve It
- 41. No Ready Answer
- 42. Corners of His Mind
- 43. Unleash Hell
- 44. Celebration
- 45. A Different Kind of Ruckus
- 46. All the Honey
- 47. Collision Avoidance
- 48. Some Bizarre Mating Dance
- 49. Flicker of Coldness
- 50. Making His Preparations
- 51. A Shout into the Abyss
- 52. Some Kind of Advantage
- 53. Some Delicacies
- 54. Bad Dogs
- 55. Almost There
- 56. Mostly Certain
- 57. A Very Persuasive Call
- 58. Cold
- 59. Reborn
- 60. The Only Person Worse Than Us
- 61. To Do Harm
- 62. That Gnawing Feeling
- 63. The People No One Wants
- 64. The Slender Man
- 65. Fragile Little Bond
- 66. Banged Up in All the Right Ways
- 67. What Was Missing
- 68. Object Permanence
- 69. No Extradition
- 70. The Slightest Misstep
- 71. Vaporized
- 72. The Old Stories
- 73. Resolute
- 74. Overlord of Everything and Nothing
- Acknowledgments
- Also by Gregg Hurwitz
- About the Author
- Newsletter Sign-up
Title Page
Copyright Notice
The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy.
Dedication
For Keith Kahla
an old-fashioned editor in all the best ways
and a new-fashioned editor in all the essential ones
Epigraphs
How deep do you need to bury the past before it will stay dead?
—Alan Moore, Swamp Thing
The truth will set you free. But not until it is finished with you.
—David Foster Wallace, Infinite Jest
1. What He Needs to Know
1
What He Needs to Know
A naked selfie.
It starts with that.
Hector Contrell sends a seventeen-year-old kid to troll middle schools in East L.A. The kid, improbably named Addison, makes for fine bait. Seedily handsome, starter mustache, pop-star cheekbones, dirty blond hair flipped just so. He wears a hoodie and rides a skateboard, the better to look like he’s fifteen. He says he’s a pro skater with a contract. He says he’s a rapper with a deal at a major label. He’s really a pot-smoking dropout who lives in a rented garage with his older brother and his friends, spends his nights playing Call of Duty and hitting a green glass water bong named Fat Boy.
He hangs out near campuses at lunch, after classes, his skateboard rat-a-tat-tatting across sidewalk cracks just barely past school-ground limits. The girls cluster and giggle, and he chooses one to peel off the herd. He tells her to snap pictures. He tells her to get a secret Facebook account, one her parents don’t know about, and upload them there. He tells her that everyone does this in high school, and he’s mostly right, but not everyone is hooked into a scheme like this. He targets Title I schools, broke girls, easily impressed, looking for a dream, a romance, a way out. Girls whose parents lack the resources to do much if they disappear.
The secret Facebook page links go to Hector Contrell.
The genius of it is, the girls create the sales catalog themselves.
From Contrell the links go to all sorts of men with unorthodox tastes. Austrian industrialists. Sheikhs. Three brothers in Detroit with a padlocked metal shed. Online they can peruse the merchandise discreetly and, if need be, ask for more product information—different photographic angles, specific poses. They make their selections.
Given immigration confusion, gang influence, and splintered family trees, disappearances aren’t rare when you’re dealing with broke ethnic girls. They’re a renewable resource.