Chapters (76)
- Title Page
- Dedication
- Downtown Portland
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue
- Acknowledgments
- Also by Chelsea Cain
- Copyright
Robbins waved a gloved finger at her. “Aha. That’s where it gets interesting. Stage six is biological death.”
“What’s the difference between clinical and biological death?” Susan asked.
“About four minutes,” Robbins said. “That’s how long you have to start CPR and defibrillation before your brain gets all mushy and there’s no going back.”
He cranked a lever on the morgue cooler drawer he’d been leaning on, and slid Stephanie Towner’s corpse out on a conveyor tray.
As corpses go, she looked better than she had at the park that morning. Her hair was wet and combed back from her face; her flesh was clean of mud and debris. But she was still a disturbing sight. Her face, neck, and upper chest were blotchy with the telltale dusky bruising of lividity. She looked like she’d been punched around. But looks could be deceiving. Bodies floated facedown, the head lower than the rest of the body. What looked like bruising was most likely just where her blood had settled once her heart had stopped pumping. A slight trace of pink foam circled her nostrils. A brutal Y-incision, sealed with industrial-looking staples, marked where Robbins had opened her chest up for autopsy.
Archie checked in on Susan. She was staring at the corpse’s thighs. The flesh was pimply. Goose-skin, Archie had heard coroners call it. That was fine. As long as she wasn’t fixed on the face. As long as you didn’t look at the face, you could pretend that what you were looking at wasn’t human.
Archie knew she tried to seem tough. But the rattling skull in her hands told a different story.
“Here’s the thing,” Robbins continued. “Most people, once they’re unconscious, their larynx relaxes and their lungs fill with water. Your vic? No water in her stomach. No hemorrhages in the middle ears. No water in her lungs. This can happen. Some people keep that seal. Drowning is tricky when it comes to cause of death. But it got me thinking, and I took a real close look at her. And I found this.”
He gestured to the woman like a waiter presenting the catch of the day. Then gently folded open her fingers to expose her palm. Her finger pads were blanched and wrinkled, like she’d been in the tub too long.
Archie and Susan both leaned forward from opposite sides of the conveyor tray, nearly bumping heads. Robbins indicated a tiny brown spot near the center of the palm. It looked like someone had marked her with the tip of a brown felt-tipped pen.
This was Robbins’s big evidence? “What is it?” Archie asked.
“A freckle?” Susan guessed.
“It’s a puncture wound,” Robbins said.
Susan didn’t seem convinced. “It looks like a freckle.”