Chapters (68)
- Cover Page
- THE NIAGARA RIVER
- Dedication
- ACKNOWLEDGMENTS
- THE NIAGARA RIVER
- HOME TO ROOST
- CARRYING A LADDER
- SHARKS’ TEETH
- FELIX CROW
- WEAK FORCES
- THE ELEPHANT IN THE ROOM
- A BALL ROLLS ON A POINT
- THE BEST OF IT
- CHINESE FOOT CHART
- SHIPWRECK
- THE OTHER SHOE
- ATLAS
- HE LIT A FIRE WITH ICICLES
- RATS’ TAILS
- ADDED SIGNIFICANCE
- CHOP
- DESERT RESERVOIRS
- HAILSTORM
- EXPECTATIONS
- GREEN HILLS
- RUBBING LAMPS
- TENDERNESS AND ROT
- TAR BABIES
- TIRED BLOOD
- THEFT
- IDEAL AUDIENCE
- CAPS
- THIN
- STARDUST
- REPULSIVE THEORY
- BLUE CHINA DOORKNOB
- SALVAGE
- ALMOST WITHOUT SURFACE
- THE LIGHT OF INTERIORS
- THINGS SHOULDN’T BE SO HARD
- THE PAST
- REVERSE DRAMA
- FAKE SPOTS
- LEGERDEMAIN
- HOUDINI
- HIDE AND SEEK
- LEAST ACTION
- PITCHER
- POST-CONSTRUCTION
- CHART
- NOTHING GETTING PAST
- THE MATERIAL
- THE SELF IS NOT PORTABLE
- ON THE DIFFICULTY OF DRAWING ONESELF UP
- DUCK
- LAST CHANCE
- NO NAMES
- STILL LIFE, WITH HER THINGS
- THE WELL OR THE CUP
- CHARMS
- ABSENCES AND BREAKS
- LIGHTHOUSE KEEPING
- LATENTS
- TUNE
- LATE JUSTICE
- BACKWARD MIRACLE
- THIEVES
- GREEN BEHIND THE EARS
small shark’s-tooth-
shaped fragments
of rest angled
in it. An hour
of city holds maybe
a minute of these
remnants of a time
when silence reigned,
compact and dangerous
as a shark. Sometimes
a bit of a tail
or fin can still
be sensed in parks.
FELIX CROW
Crow school
is basic and
short as a rule—
just the rudiments
of quid pro crow
for most students.
Then each lives out
his unenlightened
span, adding his
bit of blight
to the collected
history of pushing out
the sweeter species;
briefly swaggering the
swagger of his
aggravating ancestors
down my street.
And every time
I like him
when we meet.
WEAK FORCES
I enjoy an accumulating
faith in weak forces—
a weak faith, of course,
easily shaken, but also
easily regained—in what
starts to drift: all the
slow untrainings of the mind,
the sift left of resolve
sustained too long, the
strange internal shift
by which there’s no knowing
if this is the road taken
or untaken. There are soft
affinities, possibly electrical;
lint-like congeries; moonlit
hints; asymmetrical pink
glowy spots that are not
the defeat of something,
I don’t think.
THE ELEPHANT IN THE ROOM
It isn’t so much
a complete elephant
as an elephant
sense—perhaps
pillar legs supporting
a looming mass,
beyond which it’s
mostly a guess.
In any case, we
manage with relative
ease. There are just
places in the room
that we bounce off
when we come up
against; not something
we feel we have to
announce.
A BALL ROLLS ON A POINT
The whole ball
of who we are
presses into
the green baize
at a single tiny
spot. An aural
track of crackle
betrays our passage
through the
fibrous jungle.
It’s hot and
desperate. Insects
spring out of it.
The pressure is
intense, and the
sense that we’ve
lost proportion.
As though bringing
too much to bear
too locally were
our decision.
THE BEST OF IT
However carved up
or pared down we get,
we keep on making
the best of it as though
it doesn’t matter that
our acre’s down to
a square foot. As
though our garden
could be one bean
and we’d rejoice if
it flourishes, as
though one bean
could nourish us.
CHINESE FOOT CHART
Every part of us
alerts another part.
Press a spot in
the tender arch and
feel the scalp
twitch. We are no
match for ourselves
but our own release.
Each touch
uncatches some
remote lock. Look,
boats of mercy
embark from
our heart at the
oddest knock.
SHIPWRECK
I was shipwrecked beneath a stormless sky
in a sea shallow enough to stand up in.
—Fernando Pessoa
They’re laughable
when we get there—
the ultimate articulations
of despair: trapped
in a tub filling with
our own tears, strapped
to a breadstick mast
a mouse could chew
down, hopping around
the house in paper shackles
wrist and ankle. It’s
always stagey. Being