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Contents ( 25)
  1. THE MYSTERY OF EDWIN DROOD
  2. CHAPTER I—THE DAWN
  3. CHAPTER II—A DEAN, AND A CHAPTER ALSO
  4. CHAPTER III—THE NUNS’ HOUSE
  5. CHAPTER IV—MR. SAPSEA
  6. CHAPTER V—MR. DURDLES AND FRIEND
  7. CHAPTER VI—PHILANTHROPY IN MINOR CANON CORNER
  8. CHAPTER VII—MORE CONFIDENCES THAN ONE
  9. CHAPTER VIII—DAGGERS DRAWN
  10. CHAPTER IX—BIRDS IN THE BUSH
  11. CHAPTER X—SMOOTHING THE WAY
  12. CHAPTER XI—A PICTURE AND A RING
  13. CHAPTER XII—A NIGHT WITH DURDLES
  14. CHAPTER XIII—BOTH AT THEIR BEST
  15. CHAPTER XIV—WHEN SHALL THESE THREE MEET AGAIN?
  16. CHAPTER XV—IMPEACHED
  17. CHAPTER XVI—DEVOTED
  18. CHAPTER XVII—PHILANTHROPY, PROFESSIONAL AND UNPROFESSIONAL
  19. CHAPTER XVIII—A SETTLER IN CLOISTERHAM
  20. CHAPTER XIX—SHADOW ON THE SUN-DIAL
  21. CHAPTER XX—A FLIGHT
  22. CHAPTER XXI—A RECOGNITION
  23. CHAPTER XXII—A GRITTY STATE OF THINGS COMES ON
  24. CHAPTER XXIII—THE DAWN AGAIN
  25. APPENDIX: FRAGMENT OF “THE MYSTERY OF EDWIN DROOD”

‘He must be very fond of you,’ said Rosa.

‘He bears up against it with commendable fortitude if he is,’ returned Mr. Grewgious, after considering the matter. ‘But I doubt if he is. Not particularly so. You see, he is discontented, poor fellow.’

‘Why isn’t he contented?’ was the natural inquiry.

‘Misplaced,’ said Mr. Grewgious, with great mystery.

Rosa’s eyebrows resumed their inquisitive and perplexed expression.

‘So misplaced,’ Mr. Grewgious went on, ‘that I feel constantly apologetic towards him. And he feels (though he doesn’t mention it) that I have reason to be.’

Mr. Grewgious had by this time grown so very mysterious, that Rosa did not know how to go on. While she was thinking about it Mr. Grewgious suddenly jerked out of himself for the second time:

‘Let’s talk. We were speaking of Mr. Bazzard. It’s a secret, and moreover it is Mr. Bazzard’s secret; but the sweet presence at my table makes me so unusually expansive, that I feel I must impart it in inviolable confidence. What do you think Mr. Bazzard has done?’

‘O dear!’ cried Rosa, drawing her chair a little nearer, and her mind reverting to Jasper, ‘nothing dreadful, I hope?’

‘He has written a play,’ said Mr. Grewgious, in a solemn whisper. ‘A tragedy.’

Rosa seemed much relieved.

‘And nobody,’ pursued Mr. Grewgious in the same tone, ‘will hear, on any account whatever, of bringing it out.’

Rosa looked reflective, and nodded her head slowly; as who should say, ‘Such things are, and why are they!’

‘Now, you know,’ said Mr. Grewgious, ‘I couldn’t write a play.’

‘Not a bad one, sir?’ said Rosa, innocently, with her eyebrows again in action.

‘No. If I was under sentence of decapitation, and was about to be instantly decapitated, and an express arrived with a pardon for the condemned convict Grewgious if he wrote a play, I should be under the necessity of resuming the block, and begging the executioner to proceed to extremities,—meaning,’ said Mr. Grewgious, passing his hand under his chin, ‘the singular number, and this extremity.’

Rosa appeared to consider what she would do if the awkward supposititious case were hers.

‘Consequently,’ said Mr. Grewgious, ‘Mr. Bazzard would have a sense of my inferiority to himself under any circumstances; but when I am his master, you know, the case is greatly aggravated.’

Mr. Grewgious shook his head seriously, as if he felt the offence to be a little too much, though of his own committing.

‘How came you to be his master, sir?’ asked Rosa.

‘A question that naturally follows,’ said Mr. Grewgious. ‘Let’s talk. Mr. Bazzard’s father, being a Norfolk farmer, would have furiously laid about him with a flail, a pitch-fork, and every agricultural implement available for assaulting purposes, on the slightest hint of his son’s having written a play. So the son, bringing to me the father’s rent (which I receive), imparted his secret, and pointed out that he was determined to pursue his genius, and that it would put him in peril of starvation, and that he was not formed for it.’