Back The Mountain in the Sea
Chapters (58)
  1. Copyright Notice
  2. Dedication
  3. I Qualia
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. II Umwelt
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. III Semiosphere
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. IV Autopoiesis
  43. Chapter 37
  44. Chapter 38
  45. Chapter 39
  46. Chapter 40
  47. Chapter 41
  48. Chapter 42
  49. Chapter 43
  50. Chapter 44
  51. Chapter 45
  52. Chapter 46
  53. Chapter 47
  54. Chapter 48
  55. Epilogue
  56. Acknowledgments
  57. A Note About the Author
  58. Newsletter Sign-up

By the time Ha went downstairs to the lobby, where Evrim and Altantsetseg were at the table in a glow of screens and diodes, she felt ready. She had sorted it all in her head: how exactly to explain it, where to start from. This was what talking to Kamran did for her: allowed her to sort her thoughts, prepare for her interactions with others. Without him, her thoughts were circular, insular. He helped her shape and control them, gave her new input, allowed her to modulate her output. To translate it, make it understandable to others.

IT WAS AFTER 3:00 IN THE MORNING. Evrim and Altantsetseg were at a single terminal, scrolling through image after image of the symbols. Evrim looked up as she approached.

“I’m still unable to understand what I’m looking at.”

Ha dragged one of the larger terminals to the edge of the table and sketched both symbols out—first the octopus’s, then her own:

“Seen together, on the same screen, what do they look like?”

“They look related,” Evrim said. “Two parts of a set, or a question and a response? There’s a symmetry to them. Are they ‘yes’ and ‘no’?”

“I wish it were that simple. But it isn’t. The octopus’s symbol—the one we saw it repeat on its mantle in the videos over and over again—reminded me of something, and that was nagging me. Symbolic language is arbitrary, but not always. Sometimes, as in a number of Chinese characters, the iconic connection of at least some of them to something in the real world is visible. A house, a human figure—the abstraction starts from somewhere. The original connection to an icon can be glimpsed.

“And it was clear that the octopus was trying to communicate something negative. It wasn’t anything friendly. The submersible had invaded its home. The octopus was hostile. Or afraid. Probably both. So, what would it be trying to say? Maybe something like, Go away. Or, Get out. Simple, imperative. A command. A single … well, ‘word,’ if you could even talk about such a thing in its system. But how does that relate to the symbol we see: this half-circle or crescent shape, with the arrow leading downward?

“The last few days, all I have been doing is watching videos of them in their habitats. Like you. And it was in one of those videos that I saw it. The video was just a documentary, a piece of popular science. But the camera angle was right. They were filming an octopus entering its den to hide, darting into a hole it had found in a rocky area and then reinforced with stones, like they often do. And because the angle was from above, I saw it clearly.”

She swiped away the page she had already filled on the terminal and drew on a fresh one:

“It is smiley face,” Altantsetseg said. “Octopus make smiley face, because so happy seeing you.”