Back The Mountain in the Sea
Chapters (58)
  1. Copyright Notice
  2. Dedication
  3. I Qualia
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. II Umwelt
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. III Semiosphere
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. IV Autopoiesis
  43. Chapter 37
  44. Chapter 38
  45. Chapter 39
  46. Chapter 40
  47. Chapter 41
  48. Chapter 42
  49. Chapter 43
  50. Chapter 44
  51. Chapter 45
  52. Chapter 46
  53. Chapter 47
  54. Chapter 48
  55. Epilogue
  56. Acknowledgments
  57. A Note About the Author
  58. Newsletter Sign-up

The screen was divided into twelve sections—each one playing a clip of an octopus. The species were different, but all the videos were of interactions with humans. In one, an octopus slithered along the deck of a ship and squeezed itself through a gap in the gunwale to escape. In another, an octopus hid in the bottom of a jar a Greek fisherman had brought on board his little boat. And so on—in each video, an encounter. And all of the encounters hostile to the octopus, threatening. The octopuses tried to get away from their captors. Dragged out of the sea, they struggled to escape.

“I’ve been trying to imagine,” Evrim said, “how the octopus must see us. I was thinking of the murder. There is something missing from the story.”

“A lot missing,” Ha agreed.

“Yes. A lot. But most importantly—the why of the attack. At first I was thinking that something must have happened that we don’t know about. Something that made the creature feel threatened. I was sure of it. But then I thought—what do humans do that doesn’t make the creature feel threatened? And the answer is—almost nothing. This was an extraordinarily intelligent animal even before it achieved symbolic communication, and its history with humans is filled with violence and threat.”

“Then you believe it has achieved symbolic communication.”

“I do. And tool use was something it had already achieved, long ago. And now we see that isn’t all—that perhaps it is making tools as well. But what I am worried about is … the human relation to the octopus. From its point of view. This was an extraordinary creature even before it achieved language, or tool-making. A master of survival and adaptation in the sea, living constantly in a state of threat—a state that demands fluid, continuous response. This is a shape-shifting hunter-gatherer. A master of its environment. Of camouflage and distraction. This is a creature who escapes death every day. Who kills every day to survive.”

“I compared it, in my book, to Odysseus,” Ha said. “They called him ‘the Man of Twists and Turns.’ That is the best analogy I could come up with. These are the heroes of the sea: survivors of a thousand challenges and misfortunes.”