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The Mountain in the Sea

Ray Nayler
Chapters (58)
  1. Copyright Notice
  2. Dedication
  3. I Qualia
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. II Umwelt
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. III Semiosphere
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. IV Autopoiesis
  43. Chapter 37
  44. Chapter 38
  45. Chapter 39
  46. Chapter 40
  47. Chapter 41
  48. Chapter 42
  49. Chapter 43
  50. Chapter 44
  51. Chapter 45
  52. Chapter 46
  53. Chapter 47
  54. Chapter 48
  55. Epilogue
  56. Acknowledgments
  57. A Note About the Author
  58. Newsletter Sign-up
Cover: The Mountain in the Sea by Ray Nayler

Copyright Notice

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Dedication

For Anya and Lydia

I Qualia

Chapter 1

There is no silence in the living nervous system. An electrical symphony of communication streams through our neurons every moment we exist. We are built for communication.

Only death brings silence.

—Dr. Ha Nguyen, How Oceans Think

1

NIGHT. DISTRICT THREE of the Ho Chi Minh Autonomous Trade Zone.

The plastic awning of the café streamed with rain. Under its shelter, wreathed in kitchen steam and human chatter, waiters wove between tables with steaming bowls of soup, glasses of iced coffee, and bottles of beer.

Beyond the wall of rain, electric motorbikes swept past like luminescent fish.

Better not to think of fish.

Lawrence concentrated his attention instead on the woman across the table, wiping her chopsticks with a wedge of lime. The color-swarm of the abglanz identity shield masking her face shifted and wavered.

Like something underwater …

Lawrence dug his nails into his palm. “I’m sorry—does that thing have another setting?”

The woman made an adjustment. The abglanz settled to a bland construct of a female face. Lawrence could make out the faint outline of her real face, drifting below the surface.

Drifting …

“I don’t usually use this setting.” The oscillations of the abglanz flattened the woman’s inflection. “The faces are uncanny. Most people prefer the blur.”

She brought her chopsticks to her mouth. The noodles sank into the glitchy surface of the digital mask’s lips. Inside was the shadow of another set of lips and teeth.

Don’t look at her. Just begin. “Okay. My story. That’s what we’re here for. I came to the archipelago ten … no, eleven years ago now. Before that I worked for a dive place in Nha Trang. There were only two dive shops on Con Dao when I arrived—one at a fancy hotel for Westerners, and another little shop that wasn’t doing well. I bought it out. Paid almost nothing. Con Dao was a sleepy place—underpopulated, undervisited. Locals thought it was haunted.”

“Haunted?”