Back The Monogram Murders
Chapters (33)
  1. Dedication
  2. Acknowledgments
  3. 1. Runaway Jennie
  4. 2. Murder in Three Rooms
  5. 3. At the Bloxham Hotel
  6. 4. The Frame Widens
  7. 5. Ask a Hundred People
  8. 6. The Sherry Conundrum
  9. 7. Two Keys
  10. 8. Assembling Our Thoughts
  11. 9. A Visit to Great Holling
  12. 10. Slander’s Mark
  13. 11. Two Recollections
  14. 12. A Grievous Wound
  15. 13. Nancy Ducane
  16. 14. The Mind in the Mirror
  17. 15. The Fourth Cufflink
  18. 16. A Lie for a Lie
  19. 17. The Older Woman and the Younger Man
  20. 18. Knock and See Who Comes to the Door
  21. 19. The Truth at Last
  22. 20. How It All Went Wrong
  23. 21. All the Devils Are Here
  24. 22. The Monogram Murders
  25. 23. The Real Ida Gransbury
  26. 24. The Blue Jug and Bowl
  27. 25. If Murder Began with a D
  28. Epilogue
  29. About the Author
  30. Also by Sophie Hannah
  31. Also by Agatha Christie
  32. Credits
  33. About the Publisher

“I am indebted both to Dorcas and to you, madame,” said Poirot. “When I arrived here only—what is it?—half an hour ago, I did not see clearly. I saw only confusion and puzzles. Now, I begin to put things together . . . It is very important that I should think without interruption.”

“Oh.” Louisa looked disappointed. “Well, if you need to hurry off—”

“Oh, no, no, you misunderstand me. Pardon, madame. The fault is mine: I did not make myself clear. Of course we must finish the tour of the art. There is much still to explore! After that, I shall depart and do my thinking.”

“Are you sure?” Louisa regarded him with something akin to alarm. “Well, all right, then, if it’s not too much of a bore.” She recommenced her enthusiastic commentary on her husband’s pictures as Poirot and Louisa moved from room to room.

In one of the guest bedrooms, the last upstairs room that they came to, there was a white jug and bowl set with a red, green and white crest on it. There was also a wooden table, and a chair; Poirot recognized both from Nancy Ducane’s painting of Louisa. He said, “Pardon, madame, but where is the blue jug and bowl from the portrait?”

“The blue jug and bowl,” Louisa repeated, seemingly confused.

“I think you posed for Nancy Ducane’s painting in this room, n’est-ce pas?”

“Yes, I did. And . . . wait a minute! This jug and bowl set is the one from the other guest bedroom!”

“And yet it is not there. It is here.”

“So it is. But . . . then where is the blue jug and bowl?”

“I do not know, madame.”

“Well, it must be in a different bedroom. Mine, perhaps. Dorcas must have swapped them around.” She set off at a brisk pace in search of the missing items.

Poirot followed. “There is no other jug and bowl set in any of the bedrooms,” he said.

After a thorough check, Louisa Wallace said through gritted teeth, “That useless girl! I’ll tell you what’s happened, Monsieur Poirot. Dorcas has broken it and she’s too scared to tell me. Let us go and ask her, shall we? She will deny it, of course, but it’s the only possible explanation. Jugs and bowls don’t disappear, and they don’t move from room to room on their own.”

“When did you last see the blue jug and bowl, madame?”

“I don’t know. I haven’t noticed them in a long while. I hardly ever go into the guest bedrooms.”

“Is it possible that Nancy Ducane removed the blue jug and bowl when she left here on Thursday night?”