“Clara will never forget,” said Gamache. “That’s for sure. But the cure for lost love is more love.” He looked down at Henri.

Chartrand scratched the shepherd’s ears and smiled a little. “You’re a romantic, monsieur.”

“I’m a realist. Clara Morrow will not spend the rest of her life in that one horrific event.”

After Marcel left, Armand walked over to Ruth, who was holding Rosa and looking at the punch bowl.

“I don’t dare have any,” she said. “It might not be spiked.”

“Noli timere,” said Gamache, and when she smiled, he said, “You knew?”

“About Professor Massey? No. If I had, I’d have said something.”

“But you were afraid of him,” said Gamache. “You saw something in him that scared you. That’s why you were so nice to him. Jean-Guy caught on. We all assumed you were nice because you liked him, but Jean-Guy said you probably hated him.”

“I didn’t hate him,” said Ruth. “And how can you trust the opinion of someone who’s sober?”

“But Jean-Guy was right, wasn’t he? You might not have hated him, but there was fear there. Otherwise why say, noli timere? Be not afraid.”

“That blank canvas on his easel was one of the saddest things I’ve seen,” said Ruth. “An artist who’s lost his way. It builds up. Eats away at you. Beauvoir over there”—she gestured with the duck across the room, where Jean-Guy and Annie were talking with Myrna—“he’s a numbskull. And you?” She gave Gamache a sharp assessing look. “You’re a fool. Those two?” She turned to Olivier and Gabri, putting food onto the long table. “Are just plain ridiculous.”

She turned back to Gamache.

“But you’re all something. Professor Massey was nothing. Empty. Like the canvas. I found that terrifying.” She paused, remembering. “What happened to that painting? The only one of Professor Norman’s that survived?”

“The one at the back of Massey’s studio? The good one?”

“The great one,” said Ruth. “It was poetry.”

“The asbestos would never come out. It was destroyed.”

Ruth lowered her head, then raised it again. Her chin high, her eyes hard. She gave a curt nod and limped away, to stand beside Clara.

Noli timere, thought Gamache as he watched the two women. And Rosa.

*   *   *

The next morning Armand sat on the bench overlooking the village. Olivier and Gabri waved to him from the bistro. And he waved back.

He saw the pines sway in the slight breeze and smelled the musky forest and the roses and the lilies and the strong coffee in the mug beside him.

He tilted his head back and felt the warm sun on his face.

Beside him Henri slept, the ball in his mouth and his tongue lolling.

Snoring slightly.

And in Armand’s hands was the book, closed on his lap.