Chapter 39

THIRTY-NINE

Armand Gamache didn’t know who had drawn the knife across Norman’s neck.

Professor Massey? Luc Vachon? Or Peter Morrow.

One of them had.

Gamache was sure of only one thing. He’d been wrong. Way off.

It wasn’t until that very morning, on the ship, in the pastel light of the new day, that he began to see the truth.

At about the same time Peter Morrow was staring down at this bed, he was staring down at Peter’s lip painting.

And once more Gamache had turned it around.

Changed the way he was looking at it.

That was what he’d needed to do with this case. Turn it around. They’d presumed so many things. Made so many conclusions fit the facts.

But they actually had it upside down.

If Professor Massey had painted that wonderful picture at the back of his studio, how had Norman, so far away, infected it with asbestos?

How? How?

The answer was, he couldn’t have.

The answer had to be that Professor Massey hadn’t painted that picture.

Norman had.

Norman hadn’t put the asbestos on. Massey had.

Gamache realized he had everything backward.

No Man wasn’t trying to kill Professor Massey.

Massey was trying to kill No Man.

And he’d succeeded.

Professor Norman’s throat might have been cut that morning, but this murder had actually been committed decades ago. With a sprinkle of asbestos on blank canvases. Shipped to the disgraced and dismissed Professor Norman. As a favor.

Norman had eagerly opened the containers of art supplies, like a child at Christmas. Inhaling the asbestos liberated into the air. Then he’d happily, gratefully, unrolled the blank canvases, further disturbing the deadly fibers. As though that wasn’t enough, Norman would then have stretched them onto a frame. And finally he’d have painted them.

All the while believing kindly Professor Massey was his friend.

If Reine-Marie’s and Myrna’s opinions were to be believed, Sébastien Norman had been a gifted, perhaps even masterful, painter. But each stroke of the brush had brought him closer to death. The very act of creation had killed him.

As Massey knew it would.

Gamache felt a fool. He should have seen this sooner, much sooner. Who had access to the asbestos? Not Norman. He was way far away in Baie-Saint-Paul by the time it was taken out of the walls of the art college.

No. Professor Massey had access to it.

“But why would Massey want to kill Norman?” Beauvoir asked. “Shouldn’t it be the other way around? Massey got Norman fired. Why would he then send Norman infected canvases for years?”

Instead of answering, Gamache turned to Peter, who was now standing in the doorway. His eyes averted from the bloody bed.

“We found your paintings. The ones you gave to Bean.”