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Chapters (47)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Acknowledgments
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Also by Louise Penny
  47. About the Author

“But suppose the rolled-up canvas was already painted,” said Clara. “Could the asbestos be applied then?”

“Not as effectively, as I said. It would slide right off. It needs something to stick onto.”

“Like the back of the canvas,” said Myrna, and they looked at her. “If the front was painted, the back would still be just raw material, right? Something for the asbestos to”—Myrna turned to Julie—“in your words, ‘stick onto.’”

Julie nodded. “It would work. When the painting was unrolled, the asbestos would get into the air.”

“But it gets worse,” said Clara. “The painting wouldn’t just be unrolled. It would have to be tacked onto a frame. I’ve done it lots of times. Bought a cheap old oil painting at a flea market that wasn’t framed. Just rolled up. You have to staple it to a wooden frame.”

“And if the back was coated with asbestos dust?” asked Myrna.

“It would get everywhere,” said Julie. “On the hands, the clothing. In the air.”

“To be inhaled,” said Myrna.

Julie was looking at them, her exuberance muted by a dawning suspicion.

“How long would it take someone to get sick?” asked Myrna.

“Depends on the exposure. Like I said, it might never happen,” said Julie, guarded now. “But mostly it took years, decades, for asbestos to become lethal.”

She looked at their grim faces. “What’s all this about? You’re not planning to do it, are you?”

“And if we were?” asked Gamache.

“You’d be murderers.” She looked pale and Gamache hurried to reassure her.

They weren’t planning murder. Just the opposite.

“You’re trying to stop a murder?” she asked, incredulous. Looking from face to face and back to Gamache. “But if it’s asbestos, you’re probably too late. The person would’ve already been murdered. They just haven’t died yet.”

She left then.

Armand watched as she walked away, steadying herself in the increasing roll and pitch of the ship. She looked like a gull in trouble.

And Gamache knew that while she’d helped them, they had not helped her.

Julie wasn’t as cheery, not as bright as before she’d joined them. They’d tarnished her.

Now the four friends walked around the deck, mulling the young teacher’s information. As they circumnavigated the ship, the Loup de Mer made its way up the coast. Every now and then they needed to steady themselves as the ship plowed up and through and down a wave. The wind was stronger now, and the waves higher, splashing over the sides and turning the deck slick.

“Those tubes almost certainly contained paintings,” said Gamache. “No Man’s paintings.”

“But why would there be asbestos on them?” asked Clara. “Who put it there?”

“And why?” asked Myrna.

They walked in silence, each trying to work it out.