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Chapters (47)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Acknowledgments
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Also by Louise Penny
  47. About the Author

“Tabaquen. To paint. Like he does every summer. This year I took him all the way there, but most summers I drop him in Sept-Îles, to catch the boat. All the artists prefer the boat. It’s—”

“—safer, yes, we know,” said Beauvoir.

The pilot laughed. “I was going to say prettier. I think artists like pretty. Mais, franchement, it’s not really safer. There’s no safe way to get to the Lower North Shore. We have turbulence and the ship has the Graves. So it’s all a crapshoot.”

“Do not open your mouths,” hissed Myrna, catching their eyes with a searing look.

The small plane lurched in an air current. Dipping and falling, and climbing again. The pilot quickly turned his attention to flying. In the back, their eyes widened and Clara grabbed Myrna’s hand.

Jean-Guy, seeing this, envied the women, and he wondered how the Chief would take it if he held on to his.

The plane pitched again and Beauvoir grabbed, then let go of, Gamache’s hand when the plane righted itself.

Gamache looked at him, but said nothing. It was not, they both knew, the first time one had held on to the other, for dear life. And the way things were going it might not be the last.

“Peter,” Clara yelled with such force Beauvoir was tempted to look around in case the man had joined them.

Clara leaned forward. “Did you fly my husband? Peter Morrow?”

“Désolé, lady,” said the pilot, who was perfectly bilingual and seemed to speak in a mixture of both languages. Frenglish. “I don’t remember names. Just luggage. And fruit. Now, lemons—”

“He’d have gone to Tabaquen,” Clara quickly cut in. “Tall guy. English.”

The pilot shook his head. “Means nothing to me.”

Myrna pulled out her device and after a few clicks she handed it to Clara, who hesitated for a moment.

“Oh, what the hell,” she said. “We’re all going to die anyway.”

She showed the photo to the pilot, and when he stopped laughing he pointed. “Is that you?”

“That’s not important. You recognize the man?”

“Yeah. Tall, old. English.”

“Old?” said Clara.

“That might not be the most important thing he’s said,” said Myrna. “We all look old to him. He’s barely begun to rot.”

The plane gave a little shudder, as though nudged.

“Oh, Christ, here it comes,” said Jean-Guy.

“What’s that?” asked Clara.

“What?” demanded Myrna, looking frantically out the window where Clara was pointing.

“That’s the supply ship,” said the pilot.

“The one the artists take?” Clara asked.

Below them was the river, and on it they saw a ship. From above it looked like a cigar.

“Oui.”

“How long does it take for the ship to get to Tabaquen?” she asked.

“From Sept-Îles?” The pilot considered. “About a day, maybe two. Depends on the weather.”

“Take us there.”

“Where?”

“Sept-Îles.”

“Clara?” asked Myrna.

“Clara?” asked Gamache.