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Chapters (47)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Acknowledgments
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Also by Louise Penny
  47. About the Author

He looked over at Clara, who was standing very still and staring ahead of her. He followed her eyes, but saw nothing unusual.

“Clara?” Myrna asked. She’d also noticed the sudden stillness, the focus, in her friend.

Now Clara moved. Rapidly. She unrolled Peter’s paintings and, dumping the other two on the ground, grabbed one and started walking, this way and that. The painting held open at arm’s length, like a map. She searched the field, a dowser desperate to find the wellspring.

She stumbled over the rocks and stones and foundations.

And then she stopped.

“Here. Peter was here when he painted this.”

They joined her. And exchanged glances. There was no correlation between the wild colors and fierce strokes of the painting and this bucolic scene. A desperate wife had seen something not there.

But the longer they looked, the more it fell into place.

If the clearing wasn’t seen literally, if the true colors weren’t looked for on the canvas, then slowly it revealed itself.

What Clara held was a strange marriage, a sort of alchemy, between reality and perception. Between what they saw and what Peter felt.

“He was here,” Myrna agreed. “And the other?”

Myrna retrieved the other painting and, with Beauvoir beside her, held it up and walked through the field. Until they stopped.

“Here.”

And then they all looked at Marcel Chartrand.

“You knew, didn’t you?” said Gamache.

“Not at first,” he said. “Not when I saw the paintings in my office. It’s impossible to connect them with here.”

Reluctantly, Gamache had to agree. But he still stared at Chartrand.

“When did you know that Peter had been here?”

“After we realized Professor Norman and No Man are the same person. You have to understand, I hadn’t given this fellow No Man a thought in years. Artist colonies pop up around here all the time. There was one a few years back where the members only painted in shades of green. Another where they only spoke Latin. Some of the communities survive for a while, most don’t. That’s just the way it is.”

“But you didn’t tell us Peter came here,” said Beauvoir. He and Myrna had rejoined them.

“I still wasn’t sure until we got here.” Chartrand looked at Clara.

“How’d he know how to find it?” Gamache asked. “It’s not exactly on the tourist place mat. Did you tell him? Did you bring him here?”

“I told you, no. But it wasn’t a secret. Everyone knew about the colony. As I said, it was just one of many. There’re probably former members still living in the area. Maybe one of them told Peter about it.”

“But you knew where it was. You’ve been here before,” Gamache said.

“Once.”

“Were you a member?” He watched Chartrand closely.

“Me?” The gallery owner seemed genuinely surprised at the suggestion. “No. I’m not an artist.”