Chapters (47)
- Title Page
- Copyright Notice
- Dedication
- Acknowledgments
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Also by Louise Penny
- About the Author
He looked over at Clara, who was standing very still and staring ahead of her. He followed her eyes, but saw nothing unusual.
“Clara?” Myrna asked. She’d also noticed the sudden stillness, the focus, in her friend.
Now Clara moved. Rapidly. She unrolled Peter’s paintings and, dumping the other two on the ground, grabbed one and started walking, this way and that. The painting held open at arm’s length, like a map. She searched the field, a dowser desperate to find the wellspring.
She stumbled over the rocks and stones and foundations.
And then she stopped.
“Here. Peter was here when he painted this.”
They joined her. And exchanged glances. There was no correlation between the wild colors and fierce strokes of the painting and this bucolic scene. A desperate wife had seen something not there.
But the longer they looked, the more it fell into place.
If the clearing wasn’t seen literally, if the true colors weren’t looked for on the canvas, then slowly it revealed itself.
What Clara held was a strange marriage, a sort of alchemy, between reality and perception. Between what they saw and what Peter felt.
“He was here,” Myrna agreed. “And the other?”
Myrna retrieved the other painting and, with Beauvoir beside her, held it up and walked through the field. Until they stopped.
“Here.”
And then they all looked at Marcel Chartrand.
“You knew, didn’t you?” said Gamache.
“Not at first,” he said. “Not when I saw the paintings in my office. It’s impossible to connect them with here.”
Reluctantly, Gamache had to agree. But he still stared at Chartrand.
“When did you know that Peter had been here?”
“After we realized Professor Norman and No Man are the same person. You have to understand, I hadn’t given this fellow No Man a thought in years. Artist colonies pop up around here all the time. There was one a few years back where the members only painted in shades of green. Another where they only spoke Latin. Some of the communities survive for a while, most don’t. That’s just the way it is.”
“But you didn’t tell us Peter came here,” said Beauvoir. He and Myrna had rejoined them.
“I still wasn’t sure until we got here.” Chartrand looked at Clara.
“How’d he know how to find it?” Gamache asked. “It’s not exactly on the tourist place mat. Did you tell him? Did you bring him here?”
“I told you, no. But it wasn’t a secret. Everyone knew about the colony. As I said, it was just one of many. There’re probably former members still living in the area. Maybe one of them told Peter about it.”
“But you knew where it was. You’ve been here before,” Gamache said.
“Once.”
“Were you a member?” He watched Chartrand closely.
“Me?” The gallery owner seemed genuinely surprised at the suggestion. “No. I’m not an artist.”