Chapters (47)
- Title Page
- Copyright Notice
- Dedication
- Acknowledgments
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Also by Louise Penny
- About the Author
“It was a show that ran parallel to the real exhibition. It featured the rejected works.”
“And why was that so bad?”
Reine-Marie could immediately feel his censure. It radiated from him, waves of disapproval, of disappointment. In her. And she found herself regretting asking the question. Intellectually she knew that was silly. It was a legitimate question. But in her gut she felt she’d let this man down in not knowing the answer.
Even Ruth deserted her now. She drifted off and started examining the paintings on the walls. Pausing before each one. Paying more attention to them than she ever had, as far as Reine-Marie knew, to Clara’s or Peter’s.
“Are you a teacher?” Professor Massey asked.
Reine-Marie shook her head. “A librarian.”
“But you have children?”
“Two. Both grown up now. And two grandchildren.”
“And when they go to school and get an assignment wrong, would you like the teacher to hold it up in front of the class? In front of the school? For ridicule?”
“No, of course not.”
“Well, that’s what Professor Norman did. Ask your friend Clara how it felt. How it still feels. These are young people, Madame Gamache. They’re gifted, and many are fragile, having been marginalized most of their lives for being creative. We live in a society that doesn’t value being different. When they come here, to art college, it’s probably the first time in their lives they feel they belong. Safe. Not just valued, but precious.”
He held her eyes, his voice deep and calm, almost mesmerizing. And Reine-Marie felt again the pull of this man, even in his old age. How powerful he must have been in his prime.
And how comforting his message to the young, lost, wounded men and women who straggled into the college with their screw-you attitudes and piercings and broken hearts.
Here they were safe. To experiment, to explore. To fail and try again. Without fear of ridicule.
She looked at the worn sofa and could almost see the generations of young, excited artists lounging about in animated debate. Finally free.
Until Professor Norman got ahold of them. And then it was no longer safe.
The Salon des Refusés.
Reine-Marie was beginning to see just how vile that was.
“Would the college have Professor Norman’s address in their files?”
“They might. He was from Québec. I know that. He had a funny sort of accent.”
“Do you know where in Québec?” Reine-Marie asked, and he shook his head.
“Did Peter ask these questions, when he visited you?”
“About Professor Norman?” Massey was clearly both surprised and amused. “No. We talked about him briefly, but I think I was the one who brought him up.”
“Is it possible Peter’s looking for Professor Norman?” Reine-Marie asked.
“I doubt it,” said Massey. “He said nothing about that when he left. Why?”