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Chapters (47)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Acknowledgments
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Also by Louise Penny
  47. About the Author

“Perhaps another artist, jealous of his talents,” said Chartrand.

“Or someone who owned a lot of his works,” said Gamache, looking directly at their host.

“Like his gallery owner?” Chartrand smiled in what appeared to be genuine amusement. “We are greedy, feral people. We love to screw both the artist and our clients. We’d do anything to acquire what we want. But perhaps not murder.”

Though Beauvoir and Gamache knew that was not true.

“Who’re you talking about?”

Clara and Myrna had been across the room admiring a Jean Paul Lemieux, but now Clara sat on the sofa opposite Gamache.

“Tom Thomson.” Chartrand waved toward the small painting, like a window on the wall that looked into another time, another world. But one not so unlike Charlevoix.

“Désolé,” said Gamache quietly, not taking his eyes off Clara. “That was insensitive.”

“Désolé?” asked Chartrand. He looked from one to the other, perplexed by the sudden intensity of emotion. “Why would it be upsetting?”

“My own husband is missing. That’s why we’re here.” Clara turned to Gamache. “Didn’t you ask him about Peter when you went to the gallery?”

“It was closed,” said Gamache. “I thought you discussed it when you called him up.”

“Why would I? I thought you’d already asked him and he didn’t know Peter.”

“Peter?” asked Chartrand, looking from one to the other.

“My husband. Peter Morrow.”

“Your husband’s Peter Morrow?” said Chartrand.

“You knew him?” Gamache asked.

“Bien sûr,” said Chartrand.

“Him or his art?” asked Myrna.

“Him, the man. He spent many hours in the gallery.”

Clara was stunned into silence, momentarily. And then questions jumbled together in her brain, and created a logjam. None able to escape. But finally, one popped out.

“When was this?”

Chartrand thought. “In April, I guess. Maybe a little later.”

“Did he stay with you?” asked Clara.

“Non. He rented a cabin down the road.”

“Is he still there?” She stood up as though about to leave.

Chartrand shook his head. “No. He left. I haven’t seen him in months. I’m sorry.”

“Where did he go?” Clara asked.

Chartrand faced her. “I don’t know.”

“When was the last time you saw him?” Gamache asked.

Chartrand thought about that. “It’s now early August. He left before the summer. In late spring, I think.”

“Are you sure he left?” Jean-Guy asked. “Did he tell you he was leaving?”

Chartrand looked like a punch-drunk boxer, staggering from questioner to questioner. “I’m sorry, I can’t remember.”

“Why can’t you remember?” asked Clara, her voice rising.

Chartrand appeared flustered, confused. “It didn’t seem important,” he tried to explain. “He wasn’t a close friend or anything. He was here one day, and not here the next.”

He looked from Clara to Gamache and back again.

“Is that why you invited us here?” Jean-Guy asked. “Because Peter had told you about her?”

He gestured toward Clara.