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Chapters (47)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Acknowledgments
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Also by Louise Penny
  47. About the Author

How does that become this? he wondered. Perhaps, he thought, as he rolled up the canvas and followed the others back through the archway, he was the boy wonder after all.

There was, in Beauvoir’s opinion, a great deal to wonder about.

*   *   *

Gamache and Jean-Guy were the first to make it back to La Muse.

Two of the five galleries in their area were already closed by the time they got there, including the Galerie Gagnon.

Gamache adored the works of Clarence Gagnon and was pleased that Clara had given them the territory that included the gallery dedicated to the Québécois artist. But Gamache could only peer through the front window, the paintings tantalizingly close.

Jean-Guy had gone to the back door and pounded, hoping the curator or someone else would still be there, but it was locked up tight.

Now, sitting on the verandah of La Muse, Gamache realized why he felt so relaxed here.

He was, essentially, sitting in a Clarence Gagnon painting, not unlike the one he’d seen on the wall of Peter’s mother’s home. Lucky man, Peter, to have been raised with a Gagnon. Though he’d also been raised with a gorgon. Not so lucky.

Gamache squinted slightly. If he took away the people, it would look almost exactly like the works the old master had painted of Baie-Saint-Paul more than seventy years ago. The brightly colored homes lining the village street. The sweep and swoop of the mansard roofs. The pointy dormers. The tall spires of the churches in the background. It was quaint and comforting and very Québécois.

All that was missing was a workhorse pulling a cart in the background, or kids playing. Or snow. So many of Gagnon’s works featured snow. And yet the images were far from frigid.

He called Reine-Marie and brought her up to speed on the search.

“And the other three galleries?” she’d asked.

“Two were really more framing places, but we asked anyway and they didn’t know Peter and showed no interest in the painting. The other carried works by contemporary local artists. Some really wonderful pieces.”

“But no Peter Morrow?”

“No. The owner hadn’t even heard of him.”

“Did you show him Peter’s canvas?” Reine-Marie asked.

“Yes. He was…” Gamache searched for the word.

“Repulsed?”

Armand laughed. “Polite. He was polite.”

He heard Reine-Marie groan.

“It is worse, isn’t it?” he said.

“Have you found a place to stay yet?”

“No. Jean-Guy’s gone off to see if there’ve been any cancellations. I’ll let you know.”

“And do you have a plan B?” she asked.

“As a matter of fact, I do. There’s a very nice park bench across the way,” he said.

“Vagrancy. My mother said it would come to this. I’m sitting on our porch with a gin and tonic and some old cheese.”

“And me,” came a familiar voice.